Walrus Audio ARP-87 vs. Source Audio Nemesis – Digital Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the Source Audio Nemesis.
In this video you will find out more about the sound of the digital and the analog mode, of these two digital delay pedals. Besides, I also present the digital mode with modulation how both pedals may sound in the mix.

Videos on YouTube – Why my videos are how they are

Ask the DudeI love to watch YouTube videos about pedals, guitars and amps.
The boundless vastness of the Internet offers to some extend magnificent, inspiring and enlightening content created by great people. Continue reading “Videos on YouTube – Why my videos are how they are”

Source Audio Ventris vs. Neunaber Expanse – Reverb Comparison

This is a comparison of the Neunaber Expanse with the Source Audio Ventris.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Blind Analog Delay Comparison – DOD Rubberneck vs. Electro Harmonix Deluxe Memory Man

This is a blind comparison of the DOD Rubberneck wth the Electro Harmonix Deluxe Memory Man.

gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Solution: Continue reading “Blind Analog Delay Comparison – DOD Rubberneck vs. Electro Harmonix Deluxe Memory Man”

Maxon AD-900 vs. DMB Pedals Lunar Echo – Analog Delay Comparison

This is a comparison of the DMB Pedals Lunar Echo with the Maxon AD-900 Analog Delay.
The Lunar sounds warmer and percussive while the sound of the Maxon AD 900 is clearer and darker.

Maxon AD-900 vs. Retro-Sonic Analog Delay Comparison

This is a comparison of the Retro-Sonic Analog Delay with the Maxon AD-900 Analog Delay.
The Retro-Sonic Analog Delay sounds grittier while the sound of the Maxon AD 900 is clearer and darker.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

DOD Rubberneck vs. Ibanez DE-7 Delay Comparison

This is a comparison of the DOD Rubberneck with the Ibanez DE-7.

The DOD Rubberneck has got much midrange and provides the rough sound of a marvelous vintage delay. By using the tone pot you can set beautiful dark delays. The Rubberneck is perfect to create ambient sound and soundscapes. The gain pot enables you to produce grittier delays.
All pots are quite interactive and offer numerous setting options.

The special thing about the echo mode of the DE-7 is, that the digital created signal must pass an analog circuit with a JRC 4580, clipping diodes and analog filters. You can easily produce beautiful rhythmical delays. A switch allows to chose between three different delay “ranges” which can be fine-tuned by the delay time pot.
Echo and delay can be selected by the mode switch.

Lexicon PCM 81 vs. Neunaber Expanse – Reverb Comparison

This is a comparison of the Neunaber Expanse with the Lexicon PCM 81 Reverb Hall Rack Effect.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, DIY Buffer, Cubase.

Lexicon PCM 81 vs. Eventide H9 Harmonizer – Reverb Comparison

This is a comparison of the Eventide H9 Harmonizer with the Lexicon PCM 81 Reverb Hall Rack Effect.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

Source Audio Ventris Dual Reverb vs. Lexicon PCM 81 (Stereo Comparison)

This is a comparison of the Source Audio Ventris Dual Reverb with the Lexicon PCM 81 Reverb Hall Rack Effect.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

Fulltone Tube Tape Echo vs. Strymon El Capistan + Kingsley Page V2

This is a comparison of the Fulltone Tube Tape Echo with a tape echo emulation (Strymon El Capistan) in combination with a tube preamp (Kingsley Page V2).

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

TC Electronic Hall Of Fame vs. Strymon Big Sky – Reverb Comparison

This is a reverb pedal comparison:  TC Electronic Hall Of Fame vs. Strymon Big Sky.

gear: Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Neunaber Expanse vs. Strymon Big Sky – Reverb Comparison

This is a comparison of the Neunaber Expanse Reverb with the Strymon Big Sky Reverb:

 

gear: Different than usual I use a Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.