Boss DD-7 vs. MXR Carbon Copy Deluxe – Delay Comparison

This is a Comparison of the Boss DD-7 with the MXR Carbon Copy Deluxe.

In this video I only used the analog mode of the Boss DD-7. At the end of the video I demonstrate how either of them will sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Which pedal should I get? Boss DD-7 vs. TC Electronic Flashback

If you are searching for a reasonably priced digital delay pedal, there is no way around the Boss DD-7 and the TC Electronic Flashback. But what features do these two pedals provide and which is appropriate for which propose? Continue reading “Which pedal should I get? Boss DD-7 vs. TC Electronic Flashback”

Boss DD-7 vs. DOD Rubberneck – Delay Comparison

This is a Comparison of the Boss DD-7 with the DOD Rubberneck. For this comparison I only used the analog mode of the Boss DD-7. At the end of the video I also demonstrate how either of them will sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio,Cubase.

Videos on YouTube – Why my videos are how they are

Ask the DudeI love to watch YouTube videos about pedals, guitars and amps.
The boundless vastness of the Internet offers to some extend magnificent, inspiring and enlightening content created by great people. Continue reading “Videos on YouTube – Why my videos are how they are”

Boss DD-7 vs. Electro Harmonix Deluxe Memory Man – Delay Comparison

This is a Comparison of the Boss DD-7 with the Electro Harmonix Deluxe Memory Man. At the end of the video I also demonstrate how either of them will sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Boss DD-7 vs. TC Electronic Flashback – Digital Delay Comparison

This is a Comparison of the Boss DD-7 with the TC Electronic Flashback.
Besides the digital mode, I also present the analog emulation, modulation and the reverse mode of these two bugdet delay pedals. At the end of the video I also demonstrate how either of them will sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

MXR Carbon Copy Deluxe vs. MXR Carbon Copy – Analog Delay Comparison

This is a Comparison of the MXR Carbon Copy Deluxe with MXR Carbon Copy.
For a better comparability I only used the dark mode of the Carbon Copy Deluxe.

Source Audio Ventris vs. Neunaber Expanse – Reverb Comparison

This is a comparison of the Neunaber Expanse with the Source Audio Ventris.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

MXR Carbon Copy Deluxe vs. Maxon AD-900 Analog Delay – Analog Delay Comparison

This is a Comparison of the MXR Carbon Copy Deluxe with the Maxon AD-900 Analog Delay.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Maxon AD-900 vs. DMB Pedals Lunar Echo – Analog Delay Comparison

This is a comparison of the DMB Pedals Lunar Echo with the Maxon AD-900 Analog Delay.
The Retro-Sonic Analog Delay sounds grittier and percussive while the sound of the Maxon AD 900 is clearer and darker.

Maxon AD-900 vs. Retro-Sonic Analog Delay Comparison

This is a comparison of the Retro-Sonic Analog Delay with the Maxon AD-900 Analog Delay.
The Retro-Sonic Analog Delay sounds grittier while the sound of the Maxon AD 900 is clearer and darker.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

DOD Rubberneck vs. Ibanez DE-7 Delay Comparison

This is a comparison of the DOD Rubberneck with the Ibanez DE-7.

The DOD Rubberneck has got much midrange and provides the rough sound of a marvelous vintage delay. By using the tone pot you can set beautiful dark delays. The Rubberneck is perfect to create ambient sound and soundscapes. The gain pot enables you to produce grittier delays.
All pots are quite interactive and offer numerous setting options.

The special thing about the echo mode of the DE-7 is, that the digital created signal must pass an analog circuit with a JRC 4580, clipping diodes and analog filters. You can easily produce beautiful rhythmical delays. A switch allows to chose between three different delay “ranges” which can be fine-tuned by the delay time pot.
Echo and delay can be selected by the mode switch.

TC Electronic Hall Of Fame vs. Strymon Big Sky – Reverb Comparison

This is a reverb pedal comparison:  TC Electronic Hall Of Fame vs. Strymon Big Sky.

gear: Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.