Just in time for the Summer NAMM 2019 Eventide launches the 51th algorithm. Namely, it is the Harmadillo, a harmonic tremolo algorithm that so many guitarists have already eagerly expected. Continue reading “Eventide Hamardillo – Harmonic Tremolo Algorithm”
This is a stereo comparison of the Crazy Tube Circuits Echotopia with the Eventide H9 Harmonizer.
Please use your headphones!
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a demo of how to use the Eventide Rose Delay with a synthesizer.
Special thanks to Collin Bevan from Eventide who answered to my questions at the SUPERBOOTH 2019.
Here are some impressions from the SUPERBOOTH 2019 in Berlin.
From May 9th to May 11th the SUPERBOOTH is back in Berlin. The exhibition for electronic music offers various presentations and DIY workshops. Continue reading “News + + + SUPERBOOTH 2019 + + +”
Almost since musicians used tape recording, there are also reverse delays. Very early artists like the Rolling Stones or Jimi Hendrix experimented with this type of delay sounds. At those days, creating reverse delays was pretty complicated because the recording tapes had to be cut and played backwards. Continue reading “Reverse delays”
The rumor mill is churning….
Here I would like to present the last part of a collection of some interesting NAMM Show news. Continue reading “+++ NAMM 2019 News Part 4+++”
In the 1980s, the first digital chips were used to produce delay pedals. The advantage was, that these racks and pedals were able to offer a longer delay time than the analog delays of those days and, at the same time, produced less hiss. Continue reading “Digital delays”