Ambient Pedalboard #3 THERMAE in sync with the SDRUM – LoFi

This is the third and last part of the video of creating anbient sounds with the Chase Bliss Audio Thermae.
In this video I used a POG2 to create a bass-like guitar sound, which than has been pitched one octave up by the Thermae.
Thereby you can create nice lofi sounds.

Everything in sync with the DelayDude Midi Sync Cable.

gear: Fender Stratocaster, Fender Deluxe Reverb, Cubase.

Moog Minitaur + EHX POG2 = Moog Sirin?

This is a video about how to simulate the lead sounds of the Moog Sirin by using the Moog Mintaur in combination with the EHX POG2.
The Moog Mintaur is a brilliant synth, which is famous for its perfect bass sounds. But, because of its construction, the range of the Minitaur is limited.
The Moog Sirin is an updated version of the Minitaur and offers a wider range that reaches lead sounds.
But do you have to go and get a Sirin right away? Check out this video and find out…

Ambient Pedalboard #2 – THERMAE inSync with the SDRUM feat. Generation Loss

This is a video about the pitch shifting function of the Chase Bliss Audio Thermae. For this pedal is too complex to do a simple demo video, I decided to present the Thermae inSync in the context of a whole song.
The Thermae is accompanied by the Montreal Assembly Count to Five, the Cooper FX Generation Loss, the Origin Effects Cali 76 as well as by the Source Audio Ventris. All bass parts are created via the Electro Harmonix POG2.
Looped with the DigiTech JamMan SoloXT.
By using the DelayDude Midi Sync Cable, the JamMan SoloXT as well as the delay speed are send via the DigiTech SDRUM (master clock).

gear: Fender Stratocaster, Fender Deluxe Reverb, Cubase.

Ambient Pedalboard- Chase Bliss Audio Thermae inSync with the SDRUM feat. Count to Five

This is a video about the Chase Bliss Audio Thermae. For this pedal is too complex to do a simple demo video, I decided to present the Thermae (as a darker vintage style analog delay with modulation) inSync in the context of a whole song.
The Thermae is accompanied by the Montreal Assembly Count to Five, the Cooper FX Generation Loss, the Origin Effects Cali 76 as well as by the Source Audio Ventris. All bass parts are created via the Electro Harmonix POG2.
Looped with the DigiTech JamMan SoloXT.
By using the DelayDude Midi Sync Cable, the JamMan SoloXT as well as the delay speed are send via the DigiTech SDRUM (master clock).

So, relax and enjoy the sound!

In part 2 you will learn more about the pitch shifting function of the Thermae.
Therefore, stay tuned and inSync!

Gamechanger Audio Motor Synth – Is Ilja going to destroy the speaker?

Ilja Krumins from Gamechanger Audio explains at the Superbooth 2019 how the Motor Synth works and gives a demo of how the Motor Synth may sound like.

Find out if Ilja is going to destroy the speaker.

Many thanks to Ilja for the interview.

SUPERBOOTH 2019

Here are some impressions from the SUPERBOOTH 2019 in Berlin.

Source Audio Ventris vs. Neunaber Expanse – Reverb Comparison

This is a comparison of the Neunaber Expanse with the Source Audio Ventris.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Gamechanger Audio Plus Pedal vs. Electro Harmonix Superego

This is a comparison of the Gamechanger Audio Plus Pedal with the Electro Harmonix Superego.
In the first part you will hear the wet signal only.
The last part offers sounds ot the respective special modes of both pedals (layers mode of the Plus Pedal/ Gliss effect of the Superego).

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Big Pedalboard – All pedals midi sync

This is a video about how to use a huge pedalboard with all pedals midi sync. Besides the standard TRS cable I am using my self-designed DelayDude Midi Sync Cable. Check it out here.

The three controller pedals to control the DigiTech SDRUM, the Source Audio Nemesis and the DigiTech JamMan are also available in the DelayDude shop.

gear: Fender Jazzmaster with P90, Strymon Big Sky cab simulation direct into the soundcard rack preamp of the recording PC, Cubase.

Eventide H9 vs. Source Audio Ventris – Reverb comparison

This is a stereo comparison of the Eventide H9 with the Source Audio Ventris.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Source Audio Ventris vs. Strymon Big Sky – Reverb comparison

This is a comparison of the Source Audio Ventris with the Strymon Big Sky.
Both of these brilliant reverb pedals offer sonic options like hall and plate reverb as well as a cloud/e-dome and shimmer mode.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Lexicon PCM 81 vs. Neunaber Expanse – Reverb Comparison

This is a comparison of the Neunaber Expanse with the Lexicon PCM 81 Reverb Hall Rack Effect.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, DIY Buffer, Cubase.

Lexicon PCM 81 vs. Eventide H9 Harmonizer – Reverb Comparison

This is a comparison of the Eventide H9 Harmonizer with the Lexicon PCM 81 Reverb Hall Rack Effect.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.