In this last part of my Empress Echosystem review, I would like to present further sounds of this outstanding pedal. Continue reading “Review: Empress Echosystem – Part 3”
In this second part of the detailed Echosystem review, I would like to make you learn more about some of the marvelous sounds of this great delay pedal. Continue reading “Review: Empress Echosystem – Part 2”
This is a stereo demo of the amazing Empress Echosystem.
Please, use your headphones!
For the Echosystem is an incredible extensive delay, I won’t even try to present all of its brilliant functions.
I only present my 7 favorite settings instead.
0:08 tape mode (Echoplex/ Space Echo) – left/right Continue reading “Empress Echosystem – my favorite 7 settings”
The Empress Echosystem is an extensive equipped delay (or rather two delay engines) in a compact enclosure. I think, that this pedal is able to create almost every kind of sound. Continue reading “Review: Empress Echosystem – Part 1”
Just in time for the Summer NAMM 2019 Eventide launches the 51th algorithm. Namely, it is the Harmadillo, a harmonic tremolo algorithm that so many guitarists have already eagerly expected. Continue reading “Eventide Hamardillo – Harmonic Tremolo Algorithm”
Since the El Capistan, Strymon is famous for their tape sounds and the Volante offers wow and flutter, tape speeds and tape saturation of the highest quality.
The studio mode provides quasi the hi-fi version of a tape sound. Continue reading “Review: Strymon Volante part 1”
The Italian as well as the Spanish word “Volante“ means wheel or travelling/flying.
I think, it refers to the magnetic disc of a Binson Echorec, for the Strymon Volante emulates its sounds (as well as further tape echo sounds) in a very special way. Continue reading “Review: Strymon Volante part 1”
The DMB Pedals Lunar is a moderate pedalboard-friendly analog delay with a design that is in colour pretty uncommon. Continue reading “DMB Pedals Lunar”
Here are some impressions from the SUPERBOOTH 2019 in Berlin.
Like its predecessor, the Diamond Memory Lane 2 is a less pedalboard-friendly analog delay pedal.
The 550ms of maximum delay time are, accordingly to the Memory Lane, refined by the legendary Panasonic MN 3005 chip. Continue reading “Diamond Memory Lane 2”
Even on small stages it is pretty comfortable, not to get entangled in guitar cables and to avoid the knotting of the cables of all band members.
The alternative to the usual stereo cables is a wireless sound system.
But is this kind of signal transmission suitable for every guitarist?
And, are there any disadvantages? Continue reading “Tips & Tricks: Wireless?”
„Synthesizer“ – this word and everything associated with it give shivers of horror to many guitarists and bass players. Instantly, the horrible sounds of the 80s come to one’s mind and the keyboarders actually have never been the popular members of a band. Continue reading “Synthesizer – more than 80s sounds”
In the first part of this article, I would like to engage with multi overdrive pedals in general.
In the second and third part I would like to introduce some interesting analog multi overdrive pedals in detail. And the third part will be dedicated to digital multi overdrive pedals. Continue reading “Multi Overdrive Part 1”
The majority of pedals run on 9V and many of them can be used with a 9V battery.
But insatiable digital effects suck out the batteries at top speed or it is impossible to run them on battery.
This is when the question arises, which power supply is the most suitable one. Continue reading “Tips & Tricks: The best power supply”
The Ibanez Tone-Lok series has been produced between 1999 and 2002 and the DE-7 was one of them. Continue reading “Ibanez DE-7 – a delay for insiders”