Here are some impressions from the SUPERBOOTH 2019 in Berlin.
Before the NAMM 2019 opens the doors for guitar geeks from all over the world, the first information about new pedals, amps and instruments are announced. Here I would like to present a small selection of interesting news: Continue reading “+++ NAMM 2019 News Part 1 +++”
This is a video about how to use a huge pedalboard with all pedals midi sync. Besides the standard TRS cable I am using my self-designed DelayDude Midi Sync Cable. Check it out here.
The three controller pedals to control the DigiTech SDRUM, the Source Audio Nemesis and the DigiTech JamMan are also available in the DelayDude shop.
gear: Fender Jazzmaster with P90, Strymon Big Sky cab simulation direct into the soundcard rack preamp of the recording PC, Cubase.
Recently, Chase Bliss Audio debuted the Thermae, an analog pitch shifting pedal.
This pedal is based on a delay. To every cunning guitarist, this fact poses the question, if it might be possible to create this kind of sounds with a normal delay pedal, too. Continue reading “Analog Pitch Shifter: Do I really need the Chase Bliss Audio Thermae or is there any other option?”
The TC Electronic 2290 might the most legendary digital delay ever.
You can find it in countless studios and racks.
But what is it that makes this device legendary? And are there adequate emulation pedals? Continue reading “The sound of the TC Electronic 2290 in a stompbox?”
In the 80s there was a boom of pedals and some technical progress. Each of the most famous manufacturers (Boss, MXR, Ibanez and Electro Harmonix)) produced his own interpretation of each kind of pedal and all of them have been packed into colorful enclosures. Continue reading “Effect history (Part 4): The 80s shaped in racks”
Nowadays many guitarists swear by true bypass. As I already told you in the article “Buffer vs True Bypass”, a good buffer or booster has many advantages (especially for large pedalboards). Continue reading “Tips & Tricks: Booster as a tone enhancer”