The Dunlop Echoplex EP 103 is a pedalboard-friendly digital delay. By connecting the external tap footswitch, the 750 ms of maximum delay time can be extended up to 4 seconds. Continue reading “Dunlop Echoplex EP 103”
Some guitarists are using stereo rigs. But what is stereo actually? Continue reading “Stereo – mono dual, true stereo or dry thru?”
Almost every guitarist knows this phenomenon: in the rehearsal room the sound of the guitar was absolutely perfect, and the amp has been situated right in the sweet spot. But live on stage, the magic has disappeared. Continue reading “Fluctuating mains voltage = different sound?”
One loves the Tubescreamer, the other hates it. It is impossible to keep everyone happy. While to one guitarist the overdrive pedal sounds perfect, stresses the mids in an optimal way and creates the ultimate range of distortion, the same pedal seems hollow with the bass cut quite too much to another guitar player. Continue reading “Effect pedals interacting with the whole setup”
This is a comparison of two different 12″ speakers which have been (one by one) built into the same Fender Silverface Deluxe Reverb amp.
The first one is a Jensen C12 N Ceramic (current model).
The second one is a Vintage Oxford speaker.
Because I am the DelayDude, I do (self-evident) use a delay for this comparison.
Jazzmaster mit P90, Strymon DIG, Silverface Deluxe Reverb, Fame SC1100 Condenser Microphone, TS202 preamp, EMU 1820M, Cubase.
„Synthesizer“ – this word and everything associated with it give shivers of horror to many guitarists and bass players. Instantly, the horrible sounds of the 80s come to one’s mind and the keyboarders actually have never been the popular members of a band. Continue reading “Synthesizer – more than 80s sounds”
I am particularly pleased to be able to present an interview today, that, to me, is like an advanced Christmas present.
Although he has got a lot of work right now, Mike Piera, better known as AnalogMan, took the time to answer to my 7 questions. Continue reading “7 questions to Mike Piera (AnalogMan)”
Maybe an overdrive pedal is not the best choice for you. Continue reading “Tips & Tricks: Stacking Boost Pedals”
This is a demo how to use the Kingsley Page V2 with the Electro Harmonix Deluxe Memory Man.
gear: Fender Jazzmaster (classic player), Kingsley Page V2, EHX Deluxe Memory Man, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
The Kingsley Page V2 is a tube booster and an overdrive pedal with a true 12AX7 tube. Continue reading “Kingsley Page V2 Review”
Frequently, guitarists search for a better compressor because their actual ones produce too much hiss. Continue reading “Tips & Tricks : Compressor hiss”
The preamp of the EP-3 Tape Echo still is pretty famous and various manufacturers offer this effect also as a pedal. Continue reading “Echoplex EP-3 Preamp”
This episode of the series is dedicated to a modern overdrive pedal which already has become a legend: the Fulltone OCD. Continue reading “Legendary overdrive pedals 4 – Fulltone OCD”
Looking at the pedalboards of other guitarists, I frequently find the effect pedal pots at 12 o’clock position or even varying marginal from that standard position.
Although even overdrive pedals with only three knobs offer various options – if you are willing to use them. Continue reading “Tips & Tricks: Be brave – use the pots”