This is a demo of the Donner WAVE delay pedal. Check out the sound of this great tiny.
gear: Fender Telecaster, DelayDude Custom Amp, 12“ Celestion Greenback Speaker, Shure SM 57, SM Pro Audio TB 202 Tube Pre-Amp, Cubase.
This is a demo of the Donner WAVE delay pedal. Check out the sound of this great tiny.
gear: Fender Telecaster, DelayDude Custom Amp, 12“ Celestion Greenback Speaker, Shure SM 57, SM Pro Audio TB 202 Tube Pre-Amp, Cubase.
The Donner ONE looper comes around in a very robust white aluminum enclosure which is extremely compact. Nevertheless, it provides enough weight for a stable standing on the pedalboard. The rubber coating on the bottom additionally ensures that the ONE will remain on its place. Continue reading “Review: Donner ONE looper”
This is a demo of the Donner ONE looper by using the Donner WAVE delay pedal.
Check out the numerous functions of this little bargain.
gear: Fender Telecaster, DelayDude Custom Amp, 12“ Celestion Greenback Speaker, Shure SM 57, SM Pro Audio TB 202 Tube Pre-Amp, Cubase.
Some time ago, 100 Watts amps have been really common, but at the moment, small tube amps are as popular as never before. And there are many reasons, why. Continue reading “Fender Silverface Princeton Reverb – the perfect bedroom/rehearsal amp”
If you own a combo amp, means an amplifier with an in-built speaker, it mostly has a 1×12 or 1×10 speaker.
Looking for a sonic variation, most guitarists start with replacing the speaker of one manufacturer by a suitable model from another brand.
But the alteration of the speaker sizes can also effect decisive sonic changes. Continue reading “1×12, 1×10, 2×12, 4×12 – about the advantages and disadvantages of different types of speakers”
In the first part of this series, I presented some budget tube combos. In the second part, I started a small overview of several heads. And finally, I would like to end up this series with some last recommendations. Continue reading “Lunchbox Tube Amps Part III”
In the first part of this series, I presented some budget tube combos. Here, I would like to give a small overview of several heads.
They are even more handy and you can connect every speaker you like.
Mini heads are pretty functional and flexible. Besides, they are (mostly) cost-effective and fit in almost every gig bag. Continue reading “Lunchbox Tube Amps Part II”
Small tube amps are pretty popular at the moment. And mostly, they are not much quieter than their big brothers. But of course, they offer a little less clean headroom.
They can be carried easily and they are so much more than just a little toy. Perfect for a jam-session at home or for recording.
In the Studio, even Led Zeppelin did not use a Marshall full stack but a small Supro amp.
Mostly, the prices of these little amps are comparable with the effort for a good effect pedal.
In this three-part series, I would like to present a small overview of well-priced 5Watts tube heads and amps. Continue reading “Lunchbox Tube Amps”
If you are looking for the perfect headphones on the internet, you will frequently find recommendations like: more is always better. But this does definitively not work for every kind of use. Continue reading “The impedance of headphones”
The Yamaha NS-10 Studio Monitor is still the most famous speaker in record studios all over the world. Although many, while using the NS-10 for the first time, are pretty disappointed. It does not provide the perfect sound that makes every mix sound brilliant. Quite the contrary: the first hearing impression mostly reveals a thin sound with less bass and too many mids. But it also offers some advantages. Continue reading “Yamaha NS-10 Studio Monitor”
This time the “7 questions to …”- interview comes around on video.
Here are 7 questions to Ilja Krumins from Gamechanger Audio.
Many thanks to Ilja for the interview.
And for those, who are looking for one of these georgeous guitars you can see in this video, just click here.
Ilja Krumins from Gamechanger Audio explains at the Superbooth 2019 how the Motor Synth works and gives a demo of how the Motor Synth may sound like.
Find out if Ilja is going to destroy the speaker.
Many thanks to Ilja for the interview.
Besides choosing the right microphone, the positioning in front of the amplifier is decisive for the sound of a record.
MicrophonesFor a nice guitar sound on stage or for recording in the studio the quality of the microphones is decisive. Here are some classics that are used quite often: Continue reading “Tips & Tricks: How to mic an amplifier (part 1) – Different types of mics”
In the first part we have learned that the flow of electrons can be controlled by striking the strings.
This flow of electrons inside of the tube can now be controlled by selected resistors. Continue reading “How a tube amp works – Part 2”
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