Videos on YouTube – Why my videos are how they are

Ask the DudeI love to watch YouTube videos about pedals, guitars and amps.
The boundless vastness of the Internet offers to some extend magnificent, inspiring and enlightening content created by great people. Continue reading “Videos on YouTube – Why my videos are how they are”

Maxon AD-900 vs. Fulltone Tube Tape Echo – delay comparison

This is a comparison of the Maxon AD-900 with the Fulltone Tube Tape Echo.
The comparison of an analog delay with a tape echo might be a bit extraordinary – but these two classics can definitvely compete with each other.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

DOD Rubberneck vs. DMB Pedals Lunar – analog delay comparison

This is a comparison of the DOD Rubberneck with the DMB Pedals Lunar.
Both delays provide modulation and oscillation.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Source Audio Ventris vs. Strymon Big Sky – Reverb comparison

This is a comparison of the Source Audio Ventris with the Strymon Big Sky.
Both of these brilliant reverb pedals offer sonic options like hall and plate reverb as well as a cloud/e-dome and shimmer mode.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Maxon AD-900 vs. DMB Pedals Lunar Echo – Analog Delay Comparison

This is a comparison of the DMB Pedals Lunar Echo with the Maxon AD-900 Analog Delay.
The Lunar sounds warmer and percussive while the sound of the Maxon AD 900 is clearer and darker.

Maxon AD-900 vs. Retro-Sonic Analog Delay Comparison

This is a comparison of the Retro-Sonic Analog Delay with the Maxon AD-900 Analog Delay.
The Retro-Sonic Analog Delay sounds grittier while the sound of the Maxon AD 900 is clearer and darker.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

DOD Rubberneck vs. Ibanez DE-7 Delay Comparison

This is a comparison of the DOD Rubberneck with the Ibanez DE-7.

The DOD Rubberneck has got much midrange and provides the rough sound of a marvelous vintage delay. By using the tone pot you can set beautiful dark delays. The Rubberneck is perfect to create ambient sound and soundscapes. The gain pot enables you to produce grittier delays.
All pots are quite interactive and offer numerous setting options.

The special thing about the echo mode of the DE-7 is, that the digital created signal must pass an analog circuit with a JRC 4580, clipping diodes and analog filters. You can easily produce beautiful rhythmical delays. A switch allows to chose between three different delay “ranges” which can be fine-tuned by the delay time pot.
Echo and delay can be selected by the mode switch.

Source Audio Nemesis vs. Maxon AD-900 Analog Delay

This is a comparison of the Source Audio Nemesis with the Maxon AD-900 Analog Delay.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

Kingsley Page V2 featuring Electro Harmonix Deluxe Memory Man

This is a demo how to use the Kingsley Page V2 with the Electro Harmonix Deluxe Memory Man.

gear: Fender Jazzmaster (modern player), Kingsley Page V2, EHX Deluxe Memory Man, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

DigiTech SDRUM in sync with TC Electronic DITTO X4

This is a demo of the DigiTech SDRUM in sync with the TC Electronic DITTO X4.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

The Ditto only adopts the tempo of the SDRUM when he hasn’t saved a loop yet.
After you have recorded a loop you can’t change the tempo of the Ditto anymore. But the SDRUM sends signals via midi to start/stop the Ditto in sync. If you delete the loops on the Ditto you will be able to feed in a new tempo with the SDRUM. Hereafter you can record a different part in another tempo.

Hughes and Kettner Replex vs Fulltone TTE

This is a comparison of the Hughes & Kettner Replex (which is a very fine tube driven tape emulation) with the Fulltone Tube Tape Echo.

 

Weitere Vergleichsvideos des Fulltone TTE findest du hier.