Catalinbread Belle Epoch

catalinbread belle epochThe Catalinbread Belle Epoch is a pedalboard friendly digital delay with an inbuilt preamp that is oriented to the legendary Maestro Echoplex Transistor Tape Echo. Continue reading “Catalinbread Belle Epoch”

MXR Carbon Copy Deluxe vs. MXR Carbon Copy – Analog Delay Comparison

This is a Comparison of the MXR Carbon Copy Deluxe with MXR Carbon Copy.
For a better comparability I only used the dark mode of the Carbon Copy Deluxe.

Obituary: Jim Dunlop – more than the Cry-Baby

Plektren In a certain way he was like the doctor of the music scene. Besides his brilliant own inventions, Jim Dunlop brought dead ones back to life. Continue reading “Obituary: Jim Dunlop – more than the Cry-Baby”

Source Audio Ventris vs. Neunaber Expanse – Reverb Comparison

This is a comparison of the Neunaber Expanse with the Source Audio Ventris.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Effect pedals interacting with the whole setup

Ask the DudeOne loves the Tubescreamer, the other hates it. It is impossible to keep everyone happy. While to one guitarist the overdrive pedal sounds perfect, stresses the mids in an optimal way and creates the ultimate range of distortion, the same pedal seems hollow with the bass cut quite too much to another guitar player. Continue reading “Effect pedals interacting with the whole setup”

MXR Carbon Copy Deluxe vs. Maxon AD-900 Analog Delay – Analog Delay Comparison

This is a Comparison of the MXR Carbon Copy Deluxe with the Maxon AD-900 Analog Delay.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Binson Echorec

Binson EchorecConcerning the categorization of delay pedals, guitarists mostly refer to analog delays, tape delays and digital delay pedals. But one true classic is often overlooked because it is pretty rare and only available in used condition: the Binson Echorec. Continue reading “Binson Echorec”

+++ NAMM 2019 News Part 4+++

NewsThe rumor mill is churning….
Here I would like to present the last part of a collection of some interesting NAMM Show news. Continue reading “+++ NAMM 2019 News Part 4+++”

+++ NAMM 2019 News Part 3+++

NewsThe rumor mill is churning….
Here I would like to present a collection of some interesting NAMM Show news. Continue reading “+++ NAMM 2019 News Part 3+++”

Gamechanger Audio Plus Pedal vs. Electro Harmonix Superego

This is a comparison of the Gamechanger Audio Plus Pedal with the Electro Harmonix Superego.
In the first part you will hear the wet signal only.
The last part offers sounds ot the respective special modes of both pedals (layers mode of the Plus Pedal/ Gliss effect of the Superego).

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

+++ NAMM 2019 News Part 2+++

NewsBefore the NAMM 2019 opens the doors for guitar geeks from all over the world, the first information about new pedals, amps and instruments are announced. Here I would like to present the second selection of interesting news: Continue reading “+++ NAMM 2019 News Part 2+++”

Big Pedalboard – All pedals midi sync

This is a video about how to use a huge pedalboard with all pedals midi sync. Besides the standard TRS cable I am using my self-designed DelayDude Midi Sync Cable. Check it out here.

The three controller pedals to control the DigiTech SDRUM, the Source Audio Nemesis and the DigiTech JamMan are also available in the DelayDude shop.

gear: Fender Jazzmaster with P90, Strymon Big Sky cab simulation direct into the soundcard rack preamp of the recording PC, Cubase.

Downsizing Part 2

PedalboardLarge pedalboards with uncountable pedals on them might weaken the signal or at least change the sound in a certain way. In this case, it is secondary whether you use true bypass pedals or buffered ones. Even the length of the cables on your pedalboard will influence the sound. Continue reading “Downsizing Part 2”

Synthesizer – more than 80s sounds

moog-minitaur„Synthesizer“ – this word and everything associated with it give shivers of horror to many guitarists and bass players. Instantly, the horrible sounds of the 80s come to one’s mind and the keyboarders actually have never been the popular members of a band. Continue reading “Synthesizer – more than 80s sounds”