With the Disaster Transport SR Advanced Modulated Delay & Reverb Machine the guy of Earthquaker Devices went a great step further. They combined the Disaster Transport Jr with the Ghost Disaster, a digital delay that has been in stock for a short time around 2010. Continue reading “Earthquaker Devices Disaster Transport SR”
This is a comparison of the Walrus Audio ARP-87 with the Maxon AD-900.
For the Maxon AD-900 is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Find out more about the sound of different delay times and how both pedals may sound in the mix.
Since the El Capistan, Strymon is famous for their tape sounds and the Volante offers wow and flutter, tape speeds and tape saturation of the highest quality.
The studio mode provides quasi the hi-fi version of a tape sound. Continue reading “Review: Strymon Volante part 1”
Stricktly speaking the Earthquaker Devices Disaster Transport covers a whole series of digital delays that are all dedicated to lo-fi sounds. Continue reading “Earthquaker Devices Disaster Transport / Disaster Transport Jr.”
The Earthquaker Devices Avalanche Run is a moderate pedalboard-friendly digital delay, that, in fact is rather a mixture of a delay and a reverb effect. Continue reading “Earthquaker Devices Avalanche Run”
ARP-87 – a pair of interacting galaxies, affecting each other by gravitative interaction and the exchange of gas and dust.
Let`s have a look, if the Walrus Audio ARP-87 boasts likewise characteristics like its eponym. Continue reading “Review: Walrus Audio ARP-87”
The Dunlop Echoplex EP 103 is a pedalboard-friendly digital delay. By connecting the external tap footswitch, the 750 ms of maximum delay time can be extended up to 4 seconds. Continue reading “Dunlop Echoplex EP 103”
Today I’m going to test a very nice pedal: The Crazy Tube Circuits Echotopia.
The play of words with echo (resonance) and utopia (wishful thinking/illusion) describes the pedal quite well. The guys from Crazy Tube Circuits categorize the sound of the Echotopia as a retro tape echo for soundscapes. Continue reading “Review: Crazy Tube Circuits – Echotopia”
The DOD Rubberneck is a moderate pedalboard-friendly but really nice sounding analog delay. The trails mode allows to make the repeats of the 1500 ms maximum delay time fade out marvelously. Continue reading “DOD Rubberneck”
Several times I found in guitar forums the comment that some guitarists can`t deal with the mix pot of the MXR Carbon Copy Deluxe. It is true: you have to turn the pot into full clockwise direction to get a delay signal which is a bit louder than the clean guitar signal. Continue reading “Tips & Tricks: MXR Carbon Copy Deluxe”
The DMB Pedals Lunar is a moderate pedalboard-friendly analog delay with a design that is in colour pretty uncommon. Continue reading “DMB Pedals Lunar”
This is a demo of how to use the Eventide Rose Delay with a synthesizer.
Special thanks to Collin Bevan from Eventide who answered to my questions at the SUPERBOOTH 2019.
Delay pedals are a great invention and every guitarist should own at least one. But not only guitarist can benefit from the effects of a delay pedal. Bass players also can venture into a new realm by using a delay pedal. But there is one thing you should take into consideration. Continue reading “Delay pedals for bass players?”
Therefore, I proudly present an Interview with Josh Scott, the founder and head of JHS Pedals. Continue reading “7 questions to Josh Scott (JHS Pedals)”
This is a comparison of the Chase Bliss Audio Tonal Recall RKM with the Walrus Audio ARP-87.
For the Chase Bliss Audio Tonal Recall RKM is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.