Strymon Volante vs. Source Audio Nemesis

This is a comparison of the Strymon Volante with the Source Audio Nemesis.
Find out more about delay types like tape, noise tape/tape half speed, rhythmic/drum and how both of these great delays sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Crazy Tube Circuits Echotopia vs. Source Audio Nemesis

This is a comparison of the Source Audio Nemesis with the Crazy Tube Circuits Echotopia.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Eventide H9 vs. Source Audio Ventris – Reverb comparison

This is a stereo comparison of the Eventide H9 with the Source Audio Ventris.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Digital delays

In the 1980s, the first digital chips were used to produce delay pedals. The advantage was, that these racks and pedals were able to offer a longer delay time than the analog delays of those days and, at the same time, produced less hiss. Continue reading “Digital delays”

DelayDude – The Shop coming soon !

We are focusing all our efforts on the final touches but on 1 Oktober the day has come:

The DelayDude Shop goes online!

The carefully selected range of vintage and boutique pedals may include one or the other treasure you already know from the DelayDude videos.

We are looking forward for your visit!