ARP-87 – a pair of interacting galaxies, affecting each other by gravitative interaction and the exchange of gas and dust. Let`s have a look, if the Walrus Audio ARP-87 boasts likewise characteristics like its eponym. Continue reading “Review: Walrus Audio ARP-87”
Several times I found in guitar forums the comment that some guitarists can`t deal with the mix pot of the MXR Carbon Copy Deluxe. It is true: you have to turn the pot into full clockwise direction to get a delay signal which is a bit louder than the clean guitar signal. Continue reading “Tips & Tricks: MXR Carbon Copy Deluxe”
In the 1980s, the first digital chips were used to produce delay pedals. The advantage was, that these racks and pedals were able to offer a longer delay time than the analog delays of those days and, at the same time, produced less hiss. Continue reading “Digital delays”
In this video I would like to go in to bat for budget analog delay pedals like the Biyang AD-10 Time Machine Analog Delay, the Fame AD-10 Repeat That!, the Valeton AD-10 Analog Delay, the Akai Analog Delay or the Eagletone AD-8 Analog Delay.
Commonly, you arrange the pedals in a way that the guitar signal first passes the overdrive pedal and is then send to modulation effects like delays or reverb pedals. But in my honest opinion, it is worth it to change this accustomed layout. Continue reading “An overdrive pedal after a delay”
Stacking booster or overdrives pedals is pretty common. But it can also be worth it to stack delay pedals. Stacking can be used in different ways to create special rhythmical delays or to produce ambient sounds. Continue reading “Stacking delays”
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