Dark Delays

Supa pussThe dark sound is a very famous aspect of analog delays. Because of their design, analog delays cut the treble to minimize besides noise. As a result, they sound very warm and rich and, on top, they go well together with overdrive effects. Continue reading “Dark Delays”

DOD Rubberneck vs. Ibanez DE-7 Delay Comparison

This is a comparison of the DOD Rubberneck with the Ibanez DE-7.

The DOD Rubberneck has got much midrange and provides the rough sound of a marvelous vintage delay. By using the tone pot you can set beautiful dark delays. The Rubberneck is perfect to create ambient sound and soundscapes. The gain pot enables you to produce grittier delays.
All pots are quite interactive and offer numerous setting options.

The special thing about the echo mode of the DE-7 is, that the digital created signal must pass an analog circuit with a JRC 4580, clipping diodes and analog filters. You can easily produce beautiful rhythmical delays. A switch allows to chose between three different delay “ranges” which can be fine-tuned by the delay time pot.
Echo and delay can be selected by the mode switch.

Review: Royal TS II Overdrive

The Royal TS II is an amp-like overdrive pedal that is handmade in Germany.
It is perfect for British sounds and definitely more than a simple clone of the Ibanez Tubescreamer. Continue reading “Review: Royal TS II Overdrive”

Ibanez Echo Shifter ES2 Analog Delay Demo

This is a demo of the Ibanez Echo Shifter ES2. Find out more about functions like modulation, varying delay times, oscillation and the shifting-effect.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Digital Delay Blind Comparison: Ibanez DE7 vs. Akai Headrush

This is a blind comparison of the Ibanez DE7 with the Akai Headrush.

Solution: Continue reading “Digital Delay Blind Comparison: Ibanez DE7 vs. Akai Headrush”

Electro Harmonix Deluxe Memory Man vs. Ibanez DE-7

This is a comparison of the Ibanez DE-7 with the Electro Harmonix Deluxe Memory Man.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Tips & Tricks: How to protect the pots from unintentional maladjustment

Tips & tricksIt is so annoying: you have spent hours to find the perfect tuning for a pedal while the minutes of the transport to wherever or even the seconds of a single touch are enough to lead to a maladjustment of the pots. Continue reading “Tips & Tricks: How to protect the pots from unintentional maladjustment”

Things, mini pedal manufacturers should take into account

The times of dish-sized Fuzz Face pedals are over – the trend is towards even smaller mini effect pedals.
But with regard to this mini pedals there are some things, the manufacturers should consider. Continue reading “Things, mini pedal manufacturers should take into account”

Tips& Tricks: What’s wrong with my pedal – first aid instructions part 2

Tips & tricksThe first part of this two-part article was dedicated to general sources of error concerning effect pedals. In this part I would like to focus on some details. Continue reading “Tips& Tricks: What’s wrong with my pedal – first aid instructions part 2”

Tips& Tricks: What’s wrong with my pedal – first aid instructions

Tips & tricksSooner or later almost every pedal breaks down.
Sometimes it starts with a loos connection or it suddenly gets impossible to switch them on.
In this two-part article I would like to present some useful hints that may help you to revive your pedal. Continue reading “Tips& Tricks: What’s wrong with my pedal – first aid instructions”

The first tape delay emulations

Digital DelayFor a long time, the sound of a good tape delay is considered as the ideal delay for guitarists.
On the one hand the sound of a tape delay mostly is more warm and full than the sound of a digital delay on the other hand the tape delay sounds not as dull or wooly like an analog delay sometimes does. Continue reading “The first tape delay emulations”

Why do I not sound like my idol?

Ask the DudeSome guitarists might think “Stevie Ray Vaughan uses an Ibanez Tubescreamer – when I get myself a Tubescreamer too, I will sound like him.” Or “Eric Johnson is using a BK Butler Tube Drive for his lead tone, by using the same pedal I will also create exactly this sound.” Continue reading “Why do I not sound like my idol?”

Effect history (Part 4): The 80s shaped in racks

Effect PedalIn the 80s there was a boom of pedals and some technical progress. Each of the most famous manufacturers (Boss, MXR, Ibanez and Electro Harmonix)) produced his own interpretation of each kind of pedal and all of them have been packed into colorful enclosures. Continue reading “Effect history (Part 4): The 80s shaped in racks”