Strymon delay comparison: Volante vs. El Capistan

This is a comparison of the brilliant Strymon delays.
Find out more about the sound of a new tape emulation, a dark, old and wobbling tape, a multi head disc style stetting and how the Volante and the El Capistan might sound in the mix.

0:09 new tape Continue reading “Strymon delay comparison: Volante vs. El Capistan”

Strymon Iridium

NewsAlmost surprisingly, Strymon put the Iridium – an amp and IR cab simulator – on the market.
The Iridium emulates three classical amplifiers: The options called round, chime and punch are no less than the sounds of the Fender Deluxe Reverb, the Vox AC30 and a Marshall Plexi. Continue reading “Strymon Iridium”

DigiTech SDRUM midi sync with the Strymon Volante and Korg Volcas

This is a video about how to use the DelayDude Midi Sync Cables for a midi sync rig with the DigiTech SDRUM, the Strymon Volante, Korg Volca Keys and the Korg Volca FM. The bpm of the Strymon Volante have been synced with the SDRUM via midi. The Korg Volcas start and stop in sync and the speed is also synchronized with the SDRUM.

gear: Fender Telecaster, Fender Tweed Champ, Evidence Audio SIS Cables, Celestion G12M, Shure SM57, Cubase.

Strymon Volante vs. Source Audio Nemesis

This is a comparison of the Strymon Volante with the Source Audio Nemesis.
Find out more about delay types like tape, noise tape/tape half speed, rhythmic/drum and how both of these great delays sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

7 questions to Steve Bragg (Empress)

7 questions toAnd another one of my heroes answered to the 7 questions of the DelayDude.
Enjoy the exciting entertaining interview with Steve Bragg.
And learn more about the man behind the innovative and impressing Empress pedals. Continue reading “7 questions to Steve Bragg (Empress)”

Strymon Volante – my favorite 7 settings

This is a video about the marvellous Strymon Volante.
For the Volante is an incredible extensive delay, I won’t even try to present all of its brilliant functions.
I only present my 7 favorite settings instead.

0:08 dark bouncing drum
0:47 bright slapback tape
1:17 wobbling drum
1:57 floating studio
2:23 percussive drum
2:55 worn-out drum
3:32 crisp drum

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Click here for a detailed review of the Volante.

Walrus Audio ARP-87 vs. DOD Rubberneck – Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the DOD Rubberneck.
For the DOD Rubberneck is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Maxon AD-900 vs. Walrus Audio ARP-87 – Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the Maxon AD-900.
For the Maxon AD-900 is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Find out more about the sound of different delay times and how both pedals may sound in the mix.

Chase Bliss Audio Tonal Recall RKM vs. Walrus Audio ARP-87 – Delay Comparison

This is a comparison of the Chase Bliss Audio Tonal Recall RKM with the Walrus Audio ARP-87.
For the Chase Bliss Audio Tonal Recall RKM is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Evolution of the pedalboard

pedalboard smallStarting to play guitar, most guitarists dispense with effect pedals.
The guitar connected to the amp is all you need to be happy. Continue reading “Evolution of the pedalboard”

Diamond Memory Lane Jr.

Memory lane jrLike its predecessors, the Diamond Memory Lane Jr.  needs quite a lot space on the pedalboard.
In return, the digital version of the Memory Lane series offers 1200 ms maximum delay time that can be enjoyed in the analog or digital mode. Continue reading “Diamond Memory Lane Jr.”

Walrus Audio ARP-87 vs. MXR Carbon Copy Deluxe – Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the MXR Carbon Copy Deluxe.
For the MXR Carbon Copy Deluxe is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Diamond Memory Lane 2

memory lane2Like its predecessor, the Diamond Memory Lane 2 is a less pedalboard-friendly analog delay pedal.
The 550ms of maximum delay time are, accordingly to the Memory Lane, refined by the legendary Panasonic MN 3005 chip. Continue reading “Diamond Memory Lane 2”

Boss DD-7 vs. Source Audio Nemesis – Digital Delay Comparison

This is a Comparison of the Boss DD-7 with the Source Audio Nemesis. Besides the analog and digital delay sounds and the reverse mode of both pedals, I also demonstrate how either of them will sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Boss DD-7 vs. Strymon DIG – Digital Delay Comparison

This is a Comparison of the Boss DD-7 with the Strymon DIG.

In this video I only used the digital mode of the Boss DD-7, because the Strymon DIG does not offer an analog delay mode.
At the end of the video I demonstrate how either of them will sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.