Because of the request of one of my followers, I made this comparison of the Fulltone Tube Tape Echo vs. Echoboy VST. Check out the sound of the classic compared to different settings of the digital VST.
0:13 TTE brighter and grittier setting vs. Echoboy echoplex setting Continue reading “Fulltone Tube Tape Echo vs. Echoboy VST”
This is a comparison of the Fulltone Tube Tape Echo with the Erica Synths Zen Delay
For both delays do not have true bypass, I used a true bypass looper (Lehle Parallel) for the audio recording.
I would like to present some sonic options by using different modes and filters of the Erica Synths Zen Delay and varying speeds and a higher record level for tape saturation of the Fulltone Tube Tape Echo.
0:09 tape mode / band pass filter (Zen Delay)
low speed (Tube Tape Echo) Continue reading “Fulltone Tube Tape Echo vs. Erica Synths Zen Delay”
This is a comparison of three different types of delays all accompanied by the AnalogMan King of Tone.
For this demo I used a dark analog delay (DOD Rubberneck), a digital delay (Strymon DIG) and a tape delay(Fulltone Tube Tape Echo).
The first 25 seconds you can hear a sneak peak of each type of delay accompanied by the King of Tone.
Learn more about the how the King of Tone affects every single type of delay depending on the respective kind of playing (palm mutes, modulation, in the mix).
0:07 AnalogMan King of Tone solo
0:10 sneak peak DOD Rubberneck + King of Tone Continue reading “Analog, digital and tape delay – how do they sound with an overdrive pedal (AnalogMan King of Tone)?”
The Fulltone Solid State Echo is a transistor tape machine.
For its slightly more compact construction, it is at least a little bit pedalboard-friendlier than the Fulltone Tube Tape Echo.
In contrast to its predecessor, the Solid State Echo is based on the Echoplex Ep-3. Continue reading “Fulltone Solid State Echo”
Like the name already suggests, the Fulltone Tube Tape Echo is a real tape echo with tubes. Therefore, it is definitively not pedalboard-friendly.
But the sound of this colossus is to such an extend convincing, that actually, you won`t need any other pedals anymore. Continue reading “Fulltone Tube Tape Echo”
This is a comparison of the legendary Fulltone Tube Tape Echo with the amazing Empress Echosystem.
0:11 bright setting /tape mode
0:45 dark setting / old tape
1:21 bright setting / Echoplex
2:09 in the mix / multi mode
gear: Fender Stratocaster,Evidence Audio SIS Cables, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a stereo comparison of the brilliant Crazy Tube Circuits Echotopia with the amazing Empress Echosystem.Find out more about different settings and how both of them may sound in the mix.
Please, use your headphones!
0:11 bright setting /tape mode Continue reading “Crazy Tube Circuits Echotopia vs. Empress Echosystem”
This is a comparison of the Crazy Tube Circuits Echotopia with the Fulltone Tube Tape Echo.
For a better comparability, I maxed the mood pot of the Crazy Tube Circuits Echotopia because the Fulltone Tube Tape Echo provides a very bright sound.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase, AB bypass switch.
Starting to play guitar, most guitarists dispense with effect pedals.
The guitar connected to the amp is all you need to be happy. Continue reading “Evolution of the pedalboard”
I love to watch YouTube videos about pedals, guitars and amps.
The boundless vastness of the Internet offers to some extend magnificent, inspiring and enlightening content created by great people. Continue reading “Videos on YouTube – Why my videos are how they are”
This is a comparison of the Fulltone Tube Tape Echo with the Line6 DL4. Find out if the digital emulation sounds like the original.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Maxon AD-900 with the Fulltone Tube Tape Echo.
The comparison of an analog delay with a tape echo might be a bit extraordinary – but these two classics can definitvely compete with each other.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
In the first part of this article, I would like to engage with multi overdrive pedals in general.
In the second and third part I would like to introduce some interesting analog multi overdrive pedals in detail. And the third part will be dedicated to digital multi overdrive pedals. Continue reading “Multi Overdrive Part 1”
This is a comparison of the Fulltone Tube Tape Echo with a tape echo emulation (Strymon El Capistan) in combination with a tube preamp (Kingsley Page V2).
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
The Strymon El Capistan is one of the best digital tape echo emulations.
Nevertheless, some miss the warm character of an analog device and consider that the sound of the Strymon El Capistan is somehow sterile. Continue reading “Ask the Dude: How to create the sound of the legendary Fulltone Tube Tape Echo”
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