This is a comparison of the Montreal Assembly Count to Five with the Eventide H9 Harmonizer.
gear: Fender Jaguar, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Montreal Assembly Count to Five with the Eventide H9 Harmonizer.
gear: Fender Jaguar, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Frequently it is desirable to adjust the speed of your delay exactly to the tempo of a song.
While rack effects use midi for that, the more compact delay pedals do have tap tempo but they mostly lack a midi input.
For those delays there are some interesting devices that make a synchronization possible anyhow. Continue reading “Tips & Tricks: How to synchronize several delay pedals without midi”
To me a complete wet/dry or wet/dry/wet setup sounds marvelous but it also has got some disadvantages.
It is very expensive, may cause phase shifting and hum loops and the transport and the wiring are quite laborious.
But you there is a way to get the sound with less disadvantages. Continue reading “Faux wet/ dry- Setup”
This is a demo of the Montreal Assembly – Count to Five.
I already told you about the Montreal Assembly Count to Five.
There are numerous descriptions circulating on the internet about this pedal and to many guitarists it seems pretty hard to get a picture of the various functions. Continue reading “The Montreal Assembly – Count to Five CT5 Demo”
Because of many inquiries I would like to explain how to synchronize the DigiTech SDRUM with a TC Electronic Ditto X4. Continue reading “Tips & Tricks: Digitech SDRUM in sync with the TC Electronic DittoX4 Part 1”
Lately I visited a concert in a small club and there it happened again: the band started with the first song and at the same time one of the guitarists began to fiddle about his pedalboard because not a single tone of his guitar reached the boxes. Supported by his roady he was able to rectify his short-time mutism but to me this is not really the perfect concert opening. After the show the guitar tech told me that exactly the same happened the night before. Continue reading “Big pedalboard vs. mini workhorse”
This is a demo of the DigiTech SDRUM in sync with the TC Electronic DITTO X4.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
The Ditto only adopts the tempo of the SDRUM when he hasn’t saved a loop yet.
After you have recorded a loop you can’t change the tempo of the Ditto anymore. But the SDRUM sends signals via midi to start/stop the Ditto in sync. If you delete the loops on the Ditto you will be able to feed in a new tempo with the SDRUM. Hereafter you can record a different part in another tempo.
Frequently the question arises which kind of pedal to chose: an analog one or a digital emulation?
It almost seems to be an article of faith and this is why I would like to illuminate this controversal issue. Continue reading “Analog pedals vs. digital emulations”
The problem that the tempo of the loops created by loopers like the Digitech JamMan Stereo or the Boss RC-2 after a while vary in a certain way, in other words the looper gets out of sync and does not produce seamless loops anymore, has been discussed in many forums. Continue reading “Tips & Tricks: How to get seamless loops”
You……are looking for a certain sound, but you don’t know how to create it? Continue reading “Ask the Dude”
More and more guitarists use a low volume setup while playing their guitar at home. In this case drum computer and loopers are perfect devices for songwriting or practicing.
Here I would like to introduce some different loopers of several manufacturers. Continue reading “Looper”
If you arrange many pedals on a complex pedalboard the question of the order of the pedals arises. This matter is more complex than one first might think. Therefore one has to note some rules and some exceptions. Continue reading “Order of effects”
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