Big Pedalboard – All pedals midi sync

This is a video about how to use a huge pedalboard with all pedals midi sync. Besides the standard TRS cable I am using my self-designed DelayDude Midi Sync Cable. Check it out here.

The three controller pedals to control the DigiTech SDRUM, the Source Audio Nemesis and the DigiTech JamMan are also available in the DelayDude shop.

gear: Fender Jazzmaster with P90, Strymon Big Sky cab simulation direct into the soundcard rack preamp of the recording PC, Cubase.

Source Audio Ventris vs. Strymon Big Sky – Reverb comparison

This is a comparison of the Source Audio Ventris with the Strymon Big Sky.
Both of these brilliant reverb pedals offer sonic options like hall and plate reverb as well as a cloud/e-dome and shimmer mode.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Which effect should I get? The Lexicon PCM 81 or a reverb stompbox?

Although the Lexicon PCM 81 was most famous in the 80s, it still sets the standards for good reverb sounds. Continue reading “Which effect should I get? The Lexicon PCM 81 or a reverb stompbox?”

TC Electronic Hall Of Fame vs. Strymon Big Sky – Reverb Comparison

This is a reverb pedal comparison:  TC Electronic Hall Of Fame vs. Strymon Big Sky.

gear: Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Neunaber Expanse vs. Strymon Big Sky – Reverb Comparison

This is a comparison of the Neunaber Expanse Reverb with the Strymon Big Sky Reverb:

 

gear: Different than usual I use a Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Reverb

AmpSome years ago only very few guitarists used reverb-effects, apart from a discreet spring reverb integrated into an amplifier. But today you can find almost every month a new reverb-pedal put on the market.
Here I would like to present some different types of reverb-effects. Continue reading “Reverb”