The Ibanez DL 10 is a pedalboard-friendly digital delay/reverb from the 80s.
Accordingly, the sound of the up to 400ms maximum delay time reminds definitively of this period. Continue reading “Ibanez DL 10”
Category: Delay wanted A-Z
Under the heading “delays wanted A-Z” I present delay pedals from A to Z in order of the manufacturers Names.
Here you will find facts concerning the following aspects:
analog, digital, tape or rack delay, maximum delay time, tape echo emulation, modulation, true bypass, expression-pedal-input, Midi-input, integrated looper, stereo, 9V, pedalboard-friendliness, still produced today, special features and, of course, the cult-factor
Ibanez DDL Series
All three versions of the Ibanez DDL Series are pedalboard-friendly digital delays.
Some guitarists swear by the DDL which have been produced only for about one year (1985). Continue reading “Ibanez DDL Series”
Ibanez DE-7
The Ibanez DE-7 is a pedalboard-friendly digital delay from the Ibanez Tone-Lok series. Continue reading “Ibanez DE-7”
Maxon/Ibanez AD 999 Pro
The Maxon AD 999 Pro is a less pedalboard-friendly analog delay.
Similar to the AD 9 Pro, the extended version of the AD 999 offers an additional tape echo multi head function. A toggle switch allows to choose between single head and dual head mode. Continue reading “Maxon/Ibanez AD 999 Pro”
Ibanez AD 99
The Ibanez AD 99 is a less pedalboard-friendly analog delay.
To be strictly accurate, this mono- pedal is AD 9 in a bigger enclosure. Continue reading “Ibanez AD 99”
Maxon/Ibanez AD 900
Because of its size, the Maxon AD 900 is a less pedalboard-friendly analog delay.
Sonically oriented to the AD 9 the sprit separates regarding the two possible chips that have been used for the circuit of the Maxon AD 900. Continue reading “Maxon/Ibanez AD 900”
Maxon AD 9 Pro
Like its predecessor, the Ibanez AD 9, the Maxon AD 9 Pro is also a pedalboard-friendly analog delay. Continue reading “Maxon AD 9 Pro”
Ibanez AD 9
The Ibanez AD 9 is a pedalboard-friendly analog delay and, to me, the embodiment of a dark old-school analog delay sound. Continue reading “Ibanez AD 9”
Ibanez ADmini
Yes, the Ibanez ADmini IS a pedalboard-friendly analog delay. Regarding the size of the enclose, which comes around in an Ibanez-typical coloring, this 9V midget keeps the promise. Continue reading “Ibanez ADmini”
Ibanez AD80
The Ibanez AD80 is a pedalboard-friendly analog delay, colored as eccentric as we know most Ibanez effects. Continue reading “Ibanez AD80”
Hughes & Kettner Replex
The Hughes & Kettner Replex a not even pedalboard-friendly digital delay which is specialized on a marvelous tube sound.
But the outstanding design, as well as its sound are justifying the size of this true bypass pedal absolutely. Continue reading “Hughes & Kettner Replex”
Fulltone Solid State Echo
The Fulltone Solid State Echo is a transistor tape machine.
For its slightly more compact construction, it is at least a little bit pedalboard-friendlier than the Fulltone Tube Tape Echo.
In contrast to its predecessor, the Solid State Echo is based on the Echoplex Ep-3. Continue reading “Fulltone Solid State Echo”
Fulltone Tube Tape Echo
Like the name already suggests, the Fulltone Tube Tape Echo is a real tape echo with tubes. Therefore, it is definitively not pedalboard-friendly.
But the sound of this colossus is to such an extend convincing, that actually, you won`t need any other pedals anymore. Continue reading “Fulltone Tube Tape Echo”
Empress Tape Delay
The Empress Tape Delay is a nearly pedalboard-friendly digital delay. To be precise, this pedal is the light- version of the Empress Superdelay VM (vintage modified), which Empress developed in collaboration with Pro Guitarshop.com. Continue reading “Empress Tape Delay”
Empress Superdelay / Superdelay VM
The Empress Superdelay, as well as the Superdelay VM (Vintage Modified) are both rather moderate pedalboard-friendly, but both versions of this delay offer almost every delay sound, a guitarist needs. Continue reading “Empress Superdelay / Superdelay VM”
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