Two delays are better than one. In this Video I would like to present some soundfiles created by the use of two Tonal Recalls (red knob mod).
Click here for all Videos of the Tonall Recall RKM.
Two delays are better than one. In this Video I would like to present some soundfiles created by the use of two Tonal Recalls (red knob mod).
Click here for all Videos of the Tonall Recall RKM.
The sound of a tube amplifier pushed into saturation is unique. And although sometimes I play clean, my favorite amp-sound is never totally clean. I adjusted the amp in a way that it shows soft colorations and starts to compress when I dig in harder. This is the reason why so many prefer the supposed clean-sound of a tube amp instead of the sound of a transistor amplifier. Continue reading “Bedroom Level Amp”
This is a comparison of the Chase Bliss Audio Tonal Recall RKM with the Maxon AD 900.
For all Videos of the Chase Bliss Audio Tonal Recall RKM click here.
Click here for other Tonal Recall Videos.
This is a comparison of the Chase Bliss Audio Tonal Recall RKM (red knob mod) with the Boss DM-2 analog delay.
Click here for all Tonal Recall Videos.
For all Videos of the Chase Bliss Audio Tonal Recall RKM click here.
Although many guitarists love large pedalboards, most of them go into raptures over the sound that originates when the guitar-signal runs straight into the amplifier. The dynamic is increased and the guitar has got a higher output. Continue reading “Downsizing”
2017 numerous new pedals were put on the market. Especially for delays it seems that the Golden age has come. There have been some interesting innovations for both, the analog (because of the reissue of the MN2005-chip) and the digital delays. Continue reading “New Delays in 2017”
This is a comparison of the Chase Bliss Audio Tonal Recall RKM with the MXR Carbon Copy:
gear:
Fender Telecaster, Fender Princeton Reverb, Celestion G12M, Shure SM57, Cubase
For more videos of the Tonal Recall RKM click here.
Expression-pedalsThe first pedal that could be controlled with an expression-pedal in real time was the Uni-Vibe. The advantage was that you could adjust the swiftness without taking the hands off the strings. Later this function could also be found in Auto-Wahs. In this way the pedal could be controlled just like a real Wah. Continue reading “How to control the parameters of a pedal”
Here I would like to present the Tonal Recall in the RKM-Version solo.
For all Videos of the Chase Bliss Audio Tonal Recall RKM click here.
In the 90s there was a recollection. Grunge killed the dreams of the hairspray-metal bands and thus, also of the effect-industry. For cost reasons and also as a commercially statement many guitarists bought second hand pedals and were satisfied with two or three of them. The previous polished sound became rougher. Continue reading “Effect history (Part 5): Retro boom of the 90s”
Here is a comparison of the Wampler Faux Tape Echo and the Fulltone TTE Tube Tape Echo:
In the 80s there was a boom of pedals and some technical progress. Each of the most famous manufacturers (Boss, MXR, Ibanez and Electro Harmonix)) produced his own interpretation of each kind of pedal and all of them have been packed into colorful enclosures. Continue reading “Effect history (Part 4): The 80s shaped in racks”
In diesem Video vergleiche ich das Empress Superdelay vintage modified mit dem Fulltone TTE Tube Tape Echo.
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