Die Nummer 1, wenn es um Reparaturen, Modifikationen und Custom-Effektpedale geht
Once found, every guitarist is willing to save the perfect settings of his pedals. There are various possibilities to protect the pots from unintentional adjustment. Here you will find an article about this topic.
But what if you want to alternate between two or three different settings? How can you save or mark the respective settings without fixing the pots? Continue reading “Tips & Tricks: Effect pedals – Mark your settings”
The Diamond Memory Lane is a less pedalboard-friendly analog delay. Compared to other analog delay pedals, the maximum delay time of 550 ms is quite ordinary. But because of the Panasonic MN3005 chip, the sound of this 24 V mono pedal is legendary. Continue reading “Diamond Memory Lane”
This is a Comparison of the Boss DD-7 with the Strymon DIG.
In this video I only used the digital mode of the Boss DD-7, because the Strymon DIG does not offer an analog delay mode.
At the end of the video I demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
From May 9th to May 11th the SUPERBOOTH is back in Berlin. The exhibition for electronic music offers various presentations and DIY workshops. Continue reading “News + + + SUPERBOOTH 2019 + + +”
The Chase Bliss Audio Tonal Recall RKM is – as the name already suggests – quite similar to the Chase Bliss Audio Tonal Recall. Continue reading “Chase Bliss Audio Tonal Recall (Red Knob Mod)”
gear:Squier Jazz Bass, DigiTech SDRUM,DigiTech JamMan, Line6 Bass Pod,Cubase.
Some guitarists are using stereo rigs. But what is stereo actually? Continue reading “Stereo – mono dual, true stereo or dry thru?”
The Chase Bliss Audio Tonal Recall is a very flexible and pedalboard-friendly analog delay. Continue reading “Chase Bliss Audio Tonal Recall”
This is a comparison of the Walrus Audio ARP-87 with the Source Audio Nemesis.
In this video you will find out more about the sound of the digital and the analog mode, of these two digital delay pedals. Besides, I also present the digital mode with modulation how both pedals may sound in the mix.
The Chase Bliss Audio Thermae is a pedalboard-friendly 9V analog delay. Like all Chase Bliss Audio pedals, this stompbox also is constructed according to the motto “analog heart-digital brain”. Continue reading “Chase Bliss Audio Thermae”
This is a Comparison of the Boss DD-7 with the Walrus Audio ARP-87.
Besides the digital mode, I also present the analog emulation, modulation and how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
Even on small stages it is pretty comfortable, not to get entangled in guitar cables and to avoid the knotting of the cables of all band members.
The alternative to the usual stereo cables is a wireless sound system.
But is this kind of signal transmission suitable for every guitarist?
And, are there any disadvantages? Continue reading “Tips & Tricks: Wireless?”
The Catalinbread Echorec is the pedalboard friendly emulation of the legendary Binson Echorec. Continue reading “Catalinbread Echorec”
This is a Comparison of the Boss DD-7 with the MXR Carbon Copy Deluxe.
In this video I only used the analog mode of the Boss DD-7. At the end of the video I demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
Almost since musicians used tape recording, there are also reverse delays. Very early artists like the Rolling Stones or Jimi Hendrix experimented with this type of delay sounds. At those days, creating reverse delays was pretty complicated because the recording tapes had to be cut and played backwards. Continue reading “Reverse delays”
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