This is a comparison of the Wampler Faux Tape Echo with the Crazy Tube Circuits Echotopia.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a comparison of the Wampler Faux Tape Echo with the Crazy Tube Circuits Echotopia.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a video about the pitch shifting function of the Chase Bliss Audio Thermae. For this pedal is too complex to do a simple demo video, I decided to present the Thermae inSync in the context of a whole song.
The Thermae is accompanied by the Montreal Assembly Count to Five, the Cooper FX Generation Loss, the Origin Effects Cali 76 as well as by the Source Audio Ventris. All bass parts are created via the Electro Harmonix POG2.
Looped with the DigiTech JamMan SoloXT.
By using the DelayDude Midi Sync Cable, the JamMan SoloXT as well as the delay speed are send via the DigiTech SDRUM (master clock).
gear: Fender Stratocaster, Fender Deluxe Reverb, Cubase.
Just in time for the Summer NAMM 2019 Eventide launches the 51th algorithm. Namely, it is the Harmadillo, a harmonic tremolo algorithm that so many guitarists have already eagerly expected. Continue reading “Eventide Hamardillo – Harmonic Tremolo Algorithm”
The Crazy Tube Circuits Echotopia is a digital tape echo emulation and for its size not even pedalboard-friendly. But regarding the dimensions of a Roland Space Echo, the space requirement is definitively justified. Continue reading “Crazy Tube Circuits Echotopia”
This is a video about the Chase Bliss Audio Thermae. For this pedal is too complex to do a simple demo video, I decided to present the Thermae (as a darker vintage style analog delay with modulation) inSync in the context of a whole song.
The Thermae is accompanied by the Montreal Assembly Count to Five, the Cooper FX Generation Loss, the Origin Effects Cali 76 as well as by the Source Audio Ventris. All bass parts are created via the Electro Harmonix POG2.
Looped with the DigiTech JamMan SoloXT.
By using the DelayDude Midi Sync Cable, the JamMan SoloXT as well as the delay speed are send via the DigiTech SDRUM (master clock).
So, relax and enjoy the sound!
In part 2 you will learn more about the pitch shifting function of the Thermae.
Therefore, stay tuned and inSync!
For its size, the Earthquaker Devices Ghost Disaster is a less pedalboard friendly digital delay.
Actually, this combination of the Disaster Transport Jr. and the Ghost Echo is a hybrid pedal which can be used as a delay, a reverb or both in series. Continue reading “Earthquaker Devices Ghost Disaster”
This is a stereo comparison of the Crazy Tube Circuits Echotopia with the Eventide H9 Harmonizer.
Please use your headphones!
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
The DigiTech DigiDelay is a pedalboard-friendly digital delay that provides several features in an optically not really attractive enclose. Besides tap tempo and modulation, the 9V stereo pedal offers a maximum delay time of 4 seconds. Continue reading “DigiTech DigiDelay”
This is a comparison of the Crazy Tube Circuits Echotopia with the Fulltone Tube Tape Echo.
For a better comparability, I maxed the mood pot of the Crazy Tube Circuits Echotopia because the Fulltone Tube Tape Echo provides a very bright sound.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase, AB bypass switch.
Recently, I found the following request in my mailbox:
“I think, I actually would need a Binson Echorec, but they are in fact beyond price. I love the flutter echo mash, that the Echorec is able to create.
In the meantime, I think, that an analog delay is able to produce every sound, I long for. Digital delays with analog emulation do not sound that nice to me. But at the same time, I don’t want to get into dept.
Could you tell me, if the Ibanez Echo Shifter might be a suitable pedal for me? Especially in contrast to the Ibanez analog delay, AD9, mini or even the EHX Memory Toy?
I have already tried to many sappy pedals. Right now, I do (still!) use the Hardwire DL8. But in my opinion, it is too cold and inorganic.” Continue reading “Ask the Dude: Is there a pedal sounding like the Binson Echorec?”
With the Disaster Transport SR Advanced Modulated Delay & Reverb Machine the guy of Earthquaker Devices went a great step further. They combined the Disaster Transport Jr with the Ghost Disaster, a digital delay that has been in stock for a short time around 2010. Continue reading “Earthquaker Devices Disaster Transport SR”
Since the El Capistan, Strymon is famous for their tape sounds and the Volante offers wow and flutter, tape speeds and tape saturation of the highest quality.
The studio mode provides quasi the hi-fi version of a tape sound. Continue reading “Review: Strymon Volante part 1”
This is a stereo comparison of the Strymon Volante with the Crazy Tube Circuits Echotopia.
Find out more about marvellous sound options of these two vintage style tape echo emulation pedals.
Please use your headphones!
The Italian as well as the Spanish word “Volante“ means wheel or travelling/flying.
I think, it refers to the magnetic disc of a Binson Echorec, for the Strymon Volante emulates its sounds (as well as further tape echo sounds) in a very special way. Continue reading “Review: Strymon Volante part 1”
The Earthquaker Devices Avalanche Run is a moderate pedalboard-friendly digital delay, that, in fact is rather a mixture of a delay and a reverb effect. Continue reading “Earthquaker Devices Avalanche Run”
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