Many times, I have been asked about my favorite delay pedals and I must confess, that this question is soo hard to answer to.
Nevertheless, after a long time of thinking and trying, I figured out groups of my favorite delays regarding the categories analog delays, digital delays and tape emulations. Continue reading “My favorite tape emulations”
Tag: echo
Line6 DL4
This is a demo about the Line6 DL4.
Most people love the DL4 because of its crazy looper. But don’t forget: it is also a delay…
So, check out some sounds of one of the first multi delays.
0:09 tube echo Continue reading “Line6 DL4”
7 questions to David Koltai (Pigtronix)
For it is Christmas time, there will be present in the form of the 7-questions-to-interview with David Koltai. He is the guy behind the unique Pigtronix effects, which all bear the probably coolest logo so far. Find out which question he is waiting for to be ask and enjoy his answers to the 7 questions of the DelayDude.
Continue reading “7 questions to David Koltai (Pigtronix)”
The Eventide comparison: H9 Harmonizer vs. ROSE delay
This is a comparison of the Eventide ROSE delay with the H9 Harmonizer.
Get thrilled by different types of delays, modulation, reverse delays and the sound of both pedals in the mix.
0:11 bright digital delay Continue reading “The Eventide comparison: H9 Harmonizer vs. ROSE delay”
Eventide ROSE vs. Ibanez DE7
This is a comparison of the Eventide ROSE with the Ibanez DE7.
Both of these digital delays are using an analog filter.
Check out some of their sonic possibilities at different setting, for slapback delays and in the mix.
0:11 digital delay through analog filter/ echo mode Continue reading “Eventide ROSE vs. Ibanez DE7”
Crazy Tube Circuits Echotopia vs. Source Audio Nemesis
This is a comparison of the Source Audio Nemesis with the CCrazy Tube Circuits Echotopia.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
Crazy Tube Circuits Echotopia vs. Wampler Faux Tape Echo
This is a comparison of the Wampler Faux Tape Echo with the Crazy Tube Circuits Echotopia.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
Crazy Tube Circuits Echotopia
The Crazy Tube Circuits Echotopia is a digital tape echo emulation and for its size not even pedalboard-friendly. But regarding the dimensions of a Roland Space Echo, the space requirement is definitively justified. Continue reading “Crazy Tube Circuits Echotopia”
Eventide H9 Harmonizer vs. Crazy Tube Circuits Echotopia
This is a stereo comparison of the Crazy Tube Circuits Echotopia with the Eventide H9 Harmonizer.
Please use your headphones!
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
Crazy Tube Circuits Echotopia vs. Fulltone Tube Tape Echo
This is a comparison of the Crazy Tube Circuits Echotopia with the Fulltone Tube Tape Echo.
For a better comparability, I maxed the mood pot of the Crazy Tube Circuits Echotopia because the Fulltone Tube Tape Echo provides a very bright sound.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase, AB bypass switch.
Strymon Volante vs. Crazy Tube Circuits Echotopia
This is a stereo comparison of the Strymon Volante with the Crazy Tube Circuits Echotopia.
Find out more about marvellous sound options of these two vintage style tape echo emulation pedals.
Please use your headphones!
Crazy Tube Circuits Echotopia
This is a stereo demo of the Crazy Tube Circuits Echotopia.
Find out more about the nearly endless setting options of this vintage style tape echo emulation.
Please use your headphones!
Click here for the full review of the Echotopia.
Maxon AD-900 vs. DMB Pedals Lunar Echo – Analog Delay Comparison
This is a comparison of the DMB Pedals Lunar Echo with the Maxon AD-900 Analog Delay.
The Lunar sounds warmer and percussive while the sound of the Maxon AD 900 is clearer and darker.
Maxon AD-900 vs. Retro-Sonic Analog Delay Comparison
This is a comparison of the Retro-Sonic Analog Delay with the Maxon AD-900 Analog Delay.
The Retro-Sonic Analog Delay sounds grittier while the sound of the Maxon AD 900 is clearer and darker.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
DOD Rubberneck vs. Ibanez DE-7 Delay Comparison
This is a comparison of the DOD Rubberneck with the Ibanez DE-7.
The DOD Rubberneck has got much midrange and provides the rough sound of a marvelous vintage delay. By using the tone pot you can set beautiful dark delays. The Rubberneck is perfect to create ambient sound and soundscapes. The gain pot enables you to produce grittier delays.
All pots are quite interactive and offer numerous setting options.
The special thing about the echo mode of the DE-7 is, that the digital created signal must pass an analog circuit with a JRC 4580, clipping diodes and analog filters. You can easily produce beautiful rhythmical delays. A switch allows to chose between three different delay “ranges” which can be fine-tuned by the delay time pot.
Echo and delay can be selected by the mode switch.
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