This is a blind comparison of the Fulltone Tube Tape Echo with the Line6 DL4.
Solution: Continue reading “Delay Blind Comparison: Fulltone Tube Tape Echo vs. Line6 DL4”
This is a blind comparison of the Fulltone Tube Tape Echo with the Line6 DL4.
Solution: Continue reading “Delay Blind Comparison: Fulltone Tube Tape Echo vs. Line6 DL4”
This episode of the series is dedicated to a modern overdrive pedal which already has become a legend: the Fulltone OCD. Continue reading “Legendary overdrive pedals 4 – Fulltone OCD”
This is a blind comparison of the Electro Harmonix Deluxe Memory Man with the Fulltone Tube Tape Echo.
This is a comparison of the Source Audio Nemesis with the Fulltone Tube Tape Echo.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
To modulate sound signals by rhythmical amplitude fluctuations was a technique that has already been used in the 1950s and became famous again through grunge music.
Besides the first DeArmond tremolo effect, about which I already wrote in this article, there are many other possibilities to produce a tremolo effect. Continue reading “Tremolo effects”
This is a blind comparison of the Strymon El Capistan with the Fulltone Tube Tape Echo.
Continue reading “Delay Blind Comparison: Strymon El Capistan vs. Fulltone Tube Tape Echo”
A real tape echo provides an extraordinary sound and is a worthwhile investment for your guitar sound. Unfortunately the maintenance of a tape echo is not as simple as the care of a digital or analog delay pedal. Continue reading “Tips & Tricks: Tape echo maintenance”
This is a comparison of the legendary Fulltone Tape Echo with the T-Rex Replica.
Click here for other TTE videos.
gear: Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
To almost all producers of guitar effect pedals 9V still is the one and only standard. But who has set this norm? And is 9V really the best option for effect pedals? Continue reading “Tips & Tricks: Power for pedals – 9V or more?”
Delays enrich th
e guitar-signal and create a vivid sound. There are numerous songs that get their very own character through the sound of a delay (f. e. many songs of U2).
There are different types of delays; each of them has got its advantages and disadvantages. Continue reading “Types of Delays”
In the 90s there was a recollection. Grunge killed the dreams of the hairspray-metal bands and thus, also of the effect-industry. For cost reasons and also as a commercially statement many guitarists bought second hand pedals and were satisfied with two or three of them. The previous polished sound became rougher. Continue reading “Effect history (Part 5): Retro boom of the 90s”
Here is a comparison of the Wampler Faux Tape Echo and the Fulltone TTE Tube Tape Echo:
In diesem Video vergleiche ich das Empress Superdelay vintage modified mit dem Fulltone TTE Tube Tape Echo.
This is a comparison of the Catalinbread Belle Epoche with the Fulltone TTE Tube Tape Echo.
This is a comparison of the Hughes & Kettner Replex (which is a very fine tube driven tape emulation) with the Fulltone Tube Tape Echo.
Weitere Vergleichsvideos des Fulltone TTE findest du hier.
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