This is a comparison of the Akai Headrush with the Ibanez DE7.
Two old classics competing with each other.
0:14 digital setting Continue reading “Akai Headrush vs. Ibanez DE7”
This is a comparison of the Akai Headrush with the Ibanez DE7.
Two old classics competing with each other.
0:14 digital setting Continue reading “Akai Headrush vs. Ibanez DE7”
This is a comparison of the Line6 Echo Park with the Ibanez DE7.
These two digital delays emulate in a marvelous way a tape echo. Besides, the echo mode of the DE7 is absolutely unique. Some might say, both look very unpleasant, but what really matters is the beauty within…
0:14 digital setting Continue reading “Line6 Echo Park vs. Ibanez DE7”
This is a comparison of the Strymon Brigadier with the MXR Carbon Copy Deluxe. The MXR Carbon Copy Deluxe is by now a modern classic and besides the modulation, you can also choose between a dark and a bright setting.
Therefore, I decided to compare these two green digital delay pedals.
0:11 Carbon Copy Deluxe dark setting Continue reading “Strymon Brigadier vs. MXR Carbon Copy Deluxe”
Because of the numerous requests regarding my favorite bugdet delays, I tried to figure out my top delays within the categories tape emulation, digital delay and analog delay.
The order of the delays within the respective group or video is not a ranking, for I am unable to tell which of them I like best.
0:04 NUX Tape Core Deluxe Continue reading “My favorite budget delays”
This is a comparison of the Strymon Brigadier with the Source Audio Nemesis. The Source Audio Nemesis is, as well as the Brigadier, able to emulate numerous analog delay sounds.
For it has about the same size, I decided to compare these two digital delays.
0:11 tone pot at noon Continue reading “Strymon Brigadier vs. Source Audio Nemesis”
This is a comparison of the Strymon Brigadier with the Electro Harmonix Deluxe Memory Man.
The Electro Harmonix Deluxe Memory Man is one of the brightest analog delays with a maximum delay time of up to 550ms.
Therefore, I choose the medium setting of the Brigadier, which emulates an analog delay with two ICs. Additionally, I turned the tone pot a bit further to create a similar bright sound.
0:11 Deluxe Memory Man medium delay time Continue reading “Strymon Brigadier vs. Electro Harmonix Deluxe Memory Man”
This is a video of the Strymon NightSky featuring the Strymon Volante.
What else can I say? I hope, you enjoy the sounds as much as I do.
gear: Fender Telecaster, DelayDude Custom Amp, Shure SM57, Cubase, Evidence Audio SIS Cables.
This is a comparison of the Ibanez AD9 and the Boss DM-2 with the Strymon Brigadier.
The Ibanez AD9 and the Boss DM-2 are two of the first analog delays. They provide a maximum delay time of about 300ms and a unique kind of oscillation.
For this comparison, choose the short setting for the Brigadier, because, it emulates an analog delay with one IC. Thereby, the Brigadier gets close to the sound of the AD9 and the DM-2.
0:11 Ibanez AD9 max delay time Continue reading “Strymon Brigadier vs. Ibanez AD9 and Boss DM-2”
This is a comparison of the Strymon Brigadier with the DOD Rubberneck.
I think, the DOD Rubberneck sets the standards regarding analog delay pedals. Therefore, I would like to find out if the Strymon Brigadier is able to emulate such analog sounds.
Besides the comparison of different settings, I also checked out how these two sound stacked.
1:06 dark Continue reading “Strymon Brigadier vs. DOD Rubberneck”
This is a demo about several sonic options of the Strymon Brigadier.
For a detailed review and further information about the different modes click here.
0:11 medium Continue reading “Strymon Brigadier”
Oft werde ich gefragt, welche meine Favoriten unter den Delays sind und ich muss gestehen, dass ich mich mit der Beantwortung dieser Frage wahnsinnig schwertue.
Trotzdem bin ich mal in mich gegangen und habe in den Kategorien analog Delays, digital Delays und Tape Emulationen jeweils eine Top-Gruppe zusammengestellt.
Innerhalb der Gruppen gilt, dass die Nennung der einzelnen Delays, beziehungsweise ihre Reihenfolge in den Videos nichts darüber aussagt, welches von ihnen ich am besten finde.
Ich könnte kein klares Ranking in den Gruppen vornehmen, weil ich mich zwischen den jeweils vorgestellten Delays mit ihren Vorzügen und „Nachteilen“ (wenn man meine Kritikpunkte überhaupt als solche bezeichnen kann) nicht entscheiden könnte. Daher erfolgt ihre Nennung in alphabetischer Reihenfolge.
In diesem letzten Teil der Serie geht es um meine liebsten digital Delays.
0:03 Boss DD-200 Continue reading “Meine liebsten Digital Delays”
Because of the numerous requests regarding my favorite delays, I tried to figure out my top delays and I want to start this three-part series with my favorite tape emulations.
The order of the delays within the respective group or video is no ranking for I am unable to tell which of them I like best. Thus, the presentation is according to the alphabetical order of their names.
Check out the reasons why I have chosen these delays here.
0:03 Echosystem Continue reading “My favorite tape emulations”
Hardware vs. Software:This is a comparison of the Strymon DIG with the PSP 85 VST plugin.
In this last part of a series of comparisons of a pedal with a VST plugin, I compare a VST plugin with a digital delay pedal.
The sound of both delays is based on the 80s rack-delays.
Check out if there are sonic differences between the pedal and a VST plugin.
0:11 24/96 Continue reading “Strymon DIG vs. PSP 85 VST Plugin”
Hardware vs. Software:This is a comparison of the Strymon Volante with the Soundtoys Echoboy VST Plugin.
Check out if there are sonic differences between a pedal and a VST plugin.
This is the first part (tape emulation) of a series of comparisons of a pedal with a VST plugin. Stay tuned for further parts about digital delays and analog delays.
0:11 tape delay Continue reading “Strymon Volante vs. Soundtoys Echoboy VST Plugin”
This is a demo of some special sounds of the Boss DD-8. Besides +RV and shimmer, I also present sonic options of the modes mod, warp and GLT.