Die Nummer 1, wenn es um Reparaturen, Modifikationen und Custom-Effektpedale geht
This is a Comparison of the Boss DD-7 with the Source Audio Nemesis. Besides the analog and digital delay sounds and the reverse mode of both pedals, I also demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
The Diamond Memory Lane is a less pedalboard-friendly analog delay. Compared to other analog delay pedals, the maximum delay time of 550 ms is quite ordinary. But because of the Panasonic MN3005 chip, the sound of this 24 V mono pedal is legendary. Continue reading “Diamond Memory Lane”
The Chase Bliss Audio Tonal Recall is a very flexible and pedalboard-friendly analog delay. Continue reading “Chase Bliss Audio Tonal Recall”
This is a comparison of the Walrus Audio ARP-87 with the Source Audio Nemesis.
In this video you will find out more about the sound of the digital and the analog mode, of these two digital delay pedals. Besides, I also present the digital mode with modulation how both pedals may sound in the mix.
This is a Comparison of the Boss DD-7 with the Walrus Audio ARP-87.
Besides the digital mode, I also present the analog emulation, modulation and how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a Comparison of the Boss DD-7 with the MXR Carbon Copy Deluxe.
In this video I only used the analog mode of the Boss DD-7. At the end of the video I demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a demo of the Walrus Audio ARP-87.
Besides varying setting options in the digital and analog mode, I also present the modulation and the lo-fi sounds of this versatile digital delay. And at the end of this video you will find out how the ARP-87 sounds in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
If you are searching for a reasonably priced digital delay pedal, there is no way around the Boss DD-7 and the TC Electronic Flashback. But what features do these two pedals provide and which is appropriate for which propose? Continue reading “Which pedal should I get? Boss DD-7 vs. TC Electronic Flashback”
This is a Comparison of the Boss DD-7 with the DOD Rubberneck. For this comparison I only used the analog mode of the Boss DD-7. At the end of the video I also demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio,Cubase.
This is a Comparison of the Boss DD-7 with the Electro Harmonix Deluxe Memory Man. At the end of the video I also demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
Because of its size, the Catalinbread Belle Epoch Deluxe is less pedalboard friendly. Nevertheless, in my honest opinion, this digital delay has the right to require more space. Continue reading “Catalinbread Belle Epoch Deluxe”
This is a Comparison of the Boss DD-7 with the TC Electronic Flashback.
Besides the digital mode, I also present the analog emulation, modulation and the reverse mode of these two bugdet delay pedals. At the end of the video I also demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a Comparison of the MXR Carbon Copy Deluxe with MXR Carbon Copy.
For a better comparability I only used the dark mode of the Carbon Copy Deluxe.
The Boss DD-500 is one of the few Boss pedals which are, because of their size, less pedalboard friendly. Continue reading “Boss DD-500 Digital Delay”
The Boss DD-7 digital delay is quite unpretentious, like the Boss DD-6. Continue reading “Boss DD-7 Digital Delay”
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