This is a comparison of the Source Audio Nemesis with the Fulltone Tube Tape Echo.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Source Audio Nemesis with the Fulltone Tube Tape Echo.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Source Audio Nemesis with the Chase Bliss Audio Tonal Recall RKM.
This is a comparison of the Source Audio Nemesis with the Strymon El Capistan.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Neunaber Expanse with the TC Electronic Hall of Fame.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Montreal Assembly Count to Five with the Eventide H9 Harmonizer.
gear: Fender Jaguar, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the DOD Rubberneck with the Electro Harmonix Deluxe Memory Boy.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a blind comparison of the Strymon El Capistan with the Fulltone Tube Tape Echo.
Continue reading “Delay Blind Comparison: Strymon El Capistan vs. Fulltone Tube Tape Echo”
This is a blind comparison of the digital Line 6 Echo Park with the analog Electro Harmonix Deluxe Memory Man (because the sound of the DMM gets pretty close to the sound of a real tape echo).
Continue reading “Delay Blind Comparison: Line 6 Echo Park vs. Electro Harmonix Deluxe Memory Man”
This is a comparison of the Strymon DIG with the Boss DD-2.
While the Strymon DIG currently is the most modern digital delay, the legendary Boss DD-2 was one of the first.
gear: Fender Jaguar, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Click here for a comparison of the Strymon DIG with the TC Electronic 2290 and here for a comparison with the Korg SDD 3000.
This is a comparisopn of the DOD Rubberneck with the Seymour Duncan Vapor Trail:
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a demo of the Montreal Assembly – Count to Five.
I already told you about the Montreal Assembly Count to Five.
There are numerous descriptions circulating on the internet about this pedal and to many guitarists it seems pretty hard to get a picture of the various functions. Continue reading “The Montreal Assembly – Count to Five CT5 Demo”
This is a comparison of the Moog Moogerfooger MF-104M Analog Delay with its litte brother, the Moog Minifooger MF Delay.
While the MF-104M offers the possibility to choose between a “dark” and a “bright” setting, the sound of the Minifooger MF Delay is comparable to the “dark” sound of the MF-104M Continue reading “Moog Moogerfooger MF-104M Analog Delay vs. Moog Minifooger MF Delay”
On request of YouTube subscribers I made this demo about how to create dark repeats and dark oscillation with the DOD Rubberneck:
gear: Fender Jaguar, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Click here for a comparison of the DOD Rubberneck with the Chase Bliss Audio Tonal Recall RKM and here for a comparison with the EHX Deluxe Memory Man.
Hier habe ich ein Vergleichsvideo von fünf sehr guten Low Gain Overdrive Pedalen erstellt.
Verglichen wurden: Klon Centaur clone, Nobels ODR-1, vintage Ibanez TS-9, Mad Professor Sweet Honey Overdrive und Analogman King of Tone.