Tag: reverb

Which effect should I get? The Lexicon PCM 81 or a reverb stompbox?

Although the Lexicon PCM 81 was most famous in the 90s, it still sets the standards for good reverb sounds. Continue reading “Which effect should I get? The Lexicon PCM 81 or a reverb stompbox?”

An overdrive pedal after a delay

Tips & tricksCommonly, you arrange the pedals in a way that the guitar signal first passes the overdrive pedal and is then send to modulation effects like delays or reverb pedals.
But in my honest opinion, it is worth it to change this accustomed layout. Continue reading “An overdrive pedal after a delay”

Source Audio Ventris Dual Reverb vs. Lexicon PCM 81 (Stereo Comparison)

This is a comparison of the Source Audio Ventris Dual Reverb with the Lexicon PCM 81 Reverb Hall Rack Effect.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

Strymon Big Sky vs. Lexicon PCM 81

This is a comparison of the Strymon Big Sky with the Lexicon PCM 81 Reverb Hall Rack Effect.

https://youtu.be/VZeb4nTEiqAhttp://

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

DelayDude – The Shop coming soon !

We are focusing all our efforts on the final touches but on 1 Oktober the day has come:

The DelayDude Shop goes online!

The carefully selected range of vintage and boutique pedals may include one or the other treasure you already know from the DelayDude videos.

We are looking forward for your visit!

Source Audio Nemesis vs. Maxon AD-900 Analog Delay

This is a comparison of the Source Audio Nemesis with the Maxon AD-900 Analog Delay.

gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.

Tips & Tricks: Songwriting Pedalboard

Tips & tricksFor sonwriting it is extremely important to have a good working pedalboard with inspiring sounds.
Today I would like to introduce some ideas that might worth it to be taken into consideration if you are willing to create such a songwriting pedalboard. Continue reading “Tips & Tricks: Songwriting Pedalboard”

Montreal Assembly Count to Five vs. Eventide H9 Harmonizer

This is a comparison of the Montreal Assembly Count to Five with the Eventide H9 Harmonizer.

gear: Fender Jaguar, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

 

The Montreal Assembly – Count to Five CT5 Demo

This is a demo of the Montreal Assembly – Count to Five.

I already told you about the Montreal Assembly Count to Five.
There are numerous descriptions circulating on the internet about this pedal and to many guitarists it seems pretty hard to get a picture of the various functions. Continue reading “The Montreal Assembly – Count to Five CT5 Demo”

Tipps & Tricks: How to plan your pedalboard

Tips & tricksAfter you have chosen your very own pedal stock it makes sense to plan your pedalboard so you won’t have to rearrange your pedals for every rehearsal or every gig.
When you only use two or three pedals running on batteries they will be connected quite easily and you will not necessarily need a pedalboard. But in the long run no guitarist I know has been satisfied with two or three pedals. Continue reading “Tipps & Tricks: How to plan your pedalboard”

TC Electronic Hall Of Fame vs. Strymon Big Sky – Reverb Comparison

This is a reverb pedal comparison:  TC Electronic Hall Of Fame vs. Strymon Big Sky.

gear: Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Neunaber Expanse vs. Strymon Big Sky – Reverb Comparison

This is a comparison of the Neunaber Expanse Reverb with the Strymon Big Sky Reverb:

 

gear: Different than usual I use a Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Order of effects

PedalboardIf you arrange many pedals on a complex pedalboard the question of the order of the pedals arises. This matter is more complex than one first might think. Therefore one has to note some rules and some exceptions. Continue reading “Order of effects”