While you are searching for the perfect sound, you will find uncountable possibilities.
But how does the perfect sound sound like? Continue reading “LoFi aka character sounds”
While you are searching for the perfect sound, you will find uncountable possibilities.
But how does the perfect sound sound like? Continue reading “LoFi aka character sounds”
The first part of this two-part series was about how to get closer to the sound you long for on the one hand and grant the right of abode to the pickups of your guitar on the other.
This part is dedicated to the possibilities, alterations of the pots and capacitors do present. Continue reading “Simple guitar mods – Part 2”
The first part of this two-part series is about how little adjustments of the pickups can cause an improvement of the sound.
The second part will focus on the pots. Continue reading “Simple guitar mods – Part 1”
Jazzmaster Pickups -vintage correct or Classic Player?
In 1958 Fender debuted the Jazzmaster guitar which has since been reissued numerous times.
Mainly the grunge music of the 90s made the Jazzmaster guitars and other “offset” like the Jaguar and the Mustang pretty popular. Continue reading “Jazzmaster Pickups – Vintage correct or Classic Player?”
The ZVEX Box of Rock is one of those pedals that every guitarist should have played at least once in his life.
To many this is the reference to all “Marshall in a Box”- pedals. Continue reading “Legendary overdrive pedals 5 – ZVEX Box of Rock”
In the beginning, tube amps had a maximum power of 30 watts.
Those days musicians mostly got no PA system and the sound of their guitars came from the amplifier directly. Continue reading “100 watts amplifiers – still up to date?”
To modulate sound signals by rhythmical amplitude fluctuations was a technique that has already been used in the 1950s and became famous again through grunge music.
Besides the first DeArmond tremolo effect, about which I already wrote in this article, there are many other possibilities to produce a tremolo effect. Continue reading “Tremolo effects”
This is a comparison of the sound of a Fender Tweed Champ with the sound of a Fender Tweed Princeton.
In the first part of the comparison I use a Fender Telecaster and in the second part a Gibson Les Paul.
The Amps I am using for this comparison are clones with the original circuit of the respective amp.
Whenever you read something about amplifiers you will hit terms like “Blackface”, “British sound” and “Tweet sound”. But what is meant by them? Continue reading “Types of amplifiers – Part 1”
The sound of a tube amplifier pushed into saturation is unique. And although sometimes I play clean, my favorite amp-sound is never totally clean. I adjusted the amp in a way that it shows soft colorations and starts to compress when I dig in harder. This is the reason why so many prefer the supposed clean-sound of a tube amp instead of the sound of a transistor amplifier. Continue reading “Bedroom Level Amp”
The Johnny Marr signature Fender Jaguar offers the possibility of using both pickups serial connected. This creates a special kind of sound which cannot be produced with the standard versions of the Fender Jaguar. But these standard versions are easily modified without the need of the installation of a new switcher.
This is the Fender Jaguar modification: Continue reading “Fender Jaguar Mod: serial /parallel connected pickup modification”
In many forums all over the world guitarist are searching for the “transparent overdrive”. But what is meant by this and does a transparent overdrive make sense?
TubescreamerTubscreamer and similar overdrives place great emphasis on the mids. This kind of overdrive is appropriate as an additional booster to an amplifier that is already overdriven. By creating haunting mids the sound of the guitar becomes more assertive and will be perceived much more in the context of the band as a whole. Continue reading “Transparent Overdrives- The perfect Low Gain Sound”
There is a lot of speculation about the vintage guitar sound of a Gibson Les Paul. The modern models are not able to sound like an original 1950s Les Paul. Of course there are uncountable reports about the wood, the pickups and the stop-tail-pieces and this is why I do not want to concentrate on these topics in this text. Continue reading “Vintage guitar-sound”

Many guitarists want to change the sound of their amplifiers in a certain way: more bass, more output or a more vintage-oriented sound. But most of the modifications are expensive and difficult to be done. In this case, to try out a new speaker could be a cheap and easy way to transform the sound of your amp. Continue reading “Speaker – Easy modifications to change the sound”
My Silverface Fender Princeton Reverb was humming as soon as I turned on the Reverb. I could exclude numerous sources of error. Then I found out, that the mass-copperplate did not have sufficient contact to the chassis. By tightening the nut of the input I could eliminate this fault. This is the video:
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