This is a demo about how to eq a delay, to use the fx loop as a mixer for overdrive pedals and also how to create dirty (distort) delay repeats.
I choose the Seymour Duncan Vapor Trail for this demonstration as a deputy for all delays without tone control.
Click here to get further information about EQing delay pedals.
This is a comparison of the MXR Carbon Copy Deluxe with the Electro Harmonix Deluxe Memory Boy.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the MXR Carbon Copy Deluxe with the DOD Rubberneck.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a Comparison of the MXR Carbon Copy Deluxe with the Electro Harmonix Deluxe Memory Man.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the DOD Rubberneck with the Electro Harmonix Deluxe Memory Boy.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a analog delay Comparison of the MXR Carbon Copy Deluxe with the Boss DM-2.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a blind comparison of the digital Line 6 Echo Park with the analog Electro Harmonix Deluxe Memory Man (because the sound of the DMM gets pretty close to the sound of a real tape echo).
Continue reading “Delay Blind Comparison: Line 6 Echo Park vs. Electro Harmonix Deluxe Memory Man”
This is a comparisopn of the DOD Rubberneck with the Seymour Duncan Vapor Trail:
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Moog Moogerfooger MF-104M Analog Delay with its litte brother, the Moog Minifooger MF Delay.
While the MF-104M offers the possibility to choose between a “dark” and a “bright” setting, the sound of the Minifooger MF Delay is comparable to the “dark” sound of the MF-104M Continue reading “Moog Moogerfooger MF-104M Analog Delay vs. Moog Minifooger MF Delay”
On request of YouTube subscribers I made this demo about how to create dark repeats and dark oscillation with the DOD Rubberneck:
gear: Fender Jaguar, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Click here for a comparison of the DOD Rubberneck with the Chase Bliss Audio Tonal Recall RKM and here for a comparison with the EHX Deluxe Memory Man.
This video shows how to create dark repeats and bright oscillation with the Chase Bliss Audio Tonal Recall RKM.
gear: Fender Jaguar, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Click here for all videos of the Tonal Recall RKM.
This is a comparison of the Moog Moogerfooger MF-104M with the DOD Rubberneck:
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Moog Moogerfooger MF-104M and the Chase Bliss Audio Tonal Recall RKM.
Both delays have an analog circuit, modulation and tap tempo.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a video of the legendary Moog MF-104M Analog Delay:
gear:
Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the new DOD Rubberneck with the legendary EHX Deluxe Memory Man:
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
