This is a comparison of the Retro-Sonic Analog Delay with the Maxon AD-900 Analog Delay.
The Retro-Sonic Analog Delay sounds grittier while the sound of the Maxon AD 900 is clearer and darker.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
This is a comparison of the DOD Rubberneck with the Ibanez DE-7.
The DOD Rubberneck has got much midrange and provides the rough sound of a marvelous vintage delay. By using the tone pot you can set beautiful dark delays. The Rubberneck is perfect to create ambient sound and soundscapes. The gain pot enables you to produce grittier delays.
All pots are quite interactive and offer numerous setting options.
The special thing about the echo mode of the DE-7 is, that the digital created signal must pass an analog circuit with a JRC 4580, clipping diodes and analog filters. You can easily produce beautiful rhythmical delays. A switch allows to chose between three different delay “ranges” which can be fine-tuned by the delay time pot.
Echo and delay can be selected by the mode switch.
In this video I would like to go in to bat for budget analog delay pedals like the Biyang AD-10 Time Machine Analog Delay, the Fame AD-10 Repeat That!, the Valeton AD-10 Analog Delay, the Akai Analog Delay or the Eagletone AD-8 Analog Delay.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a demo of the Ibanez Echo Shifter ES2. Find out more about functions like modulation, varying delay times, oscillation and the shifting-effect.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
In this video I would like to present the Delay Dude Clutch.
The first Delay Dude pedal is a momentary bypass looper which enables the user to add delay pedals (in this case the Electro Harmonix Deluxe Memory Man) constantly or temporarily to the effect chain while allowing the trails to fade out after switching off the looper.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a demo of the Lunar Echo by DMB Pedals.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Neunaber Expanse with the Lexicon PCM 81 Reverb Hall Rack Effect.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, DIY Buffer, Cubase.
This is a comparison of the Eventide H9 Harmonizer with the Lexicon PCM 81 Reverb Hall Rack Effect.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
This is a comparison of the Source Audio Ventris Dual Reverb with the Lexicon PCM 81 Reverb Hall Rack Effect.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
This is a blind comparison of the Ibanez DE7 with the Akai Headrush.
Solution: Continue reading “Digital Delay Blind Comparison: Ibanez DE7 vs. Akai Headrush”
This is a comparison of the Strymon Big Sky with the Lexicon PCM 81 Reverb Hall Rack Effect.
https://youtu.be/VZeb4nTEiqAhttp://
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
This is a comparison of the Fulltone Tube Tape Echo with a tape echo emulation (Strymon El Capistan) in combination with a tube preamp (Kingsley Page V2).
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
This is a comparison of the Source Audio Nemesis with the Maxon AD-900 Analog Delay.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
This is a Video about how to create analog pitch shifting by using an analog delay (Chase Bliss Audio Tonal Recall RKM) in combination with an analog expression/cv sequencer pedal (Electro Harmonix 8 Step).
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
This is a demo how to use the Kingsley Page V2 with the Electro Harmonix Deluxe Memory Man.
gear: Fender Jazzmaster (classic player), Kingsley Page V2, EHX Deluxe Memory Man, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
