This is a comparison of the Neunaber Expanse Reverb with the Strymon Big Sky Reverb:
gear: Different than usual I use a Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Neunaber Expanse Reverb with the Strymon Big Sky Reverb:
gear: Different than usual I use a Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is the debut video of the band fragile heroes:
This is a demo of the DigiTech SDRUM in sync with the TC Electronic DITTO X4.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
The Ditto only adopts the tempo of the SDRUM when he hasn’t saved a loop yet.
After you have recorded a loop you can’t change the tempo of the Ditto anymore. But the SDRUM sends signals via midi to start/stop the Ditto in sync. If you delete the loops on the Ditto you will be able to feed in a new tempo with the SDRUM. Hereafter you can record a different part in another tempo.
This is a comparison of the Moog Moogerfooger MF-104M and the Chase Bliss Audio Tonal Recall RKM.
Both delays have an analog circuit, modulation and tap tempo.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a video of the legendary Moog MF-104M Analog Delay:
gear:
Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the sound of a Fender Tweed Champ with the sound of a Fender Tweed Princeton.
In the first part of the comparison I use a Fender Telecaster and in the second part a Gibson Les Paul.
The Amps I am using for this comparison are clones with the original circuit of the respective amp.
From now on you can find all videos of the Delay Dude on youtube.com/delaydude.
Besides overdrive- and compressor- shootouts, videos with DIY instructions and modifications you will encounter comparisons of numerous analog and digital delays by various manufacturers like Electro Harmonix, Chase Bliss Audio, Fulltone or Strymon.
Every Wednesday a new video will be released. Just have a look and subscribe.
This is a comparison of two digital delays. The TC Electronic 2290 versus the Strymon DIG.
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the new DOD Rubberneck with the legendary EHX Deluxe Memory Man:
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the DOD Rubberneck vs Chase Bliss Audio Tonal Recall rkm:
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a Video of the new DigiTech SDRUM, the first intelligent drum-computer and the DOD Rubberneck analog Delay.
gear:
Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
By this pedal DOD rely themselves on their own history- oriented on the sound on the legendary DOD 680 analog delay.
This is my first demo of the DOD Rubberneck:
gear:
Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a demo of my soundscaping-/ambient- pedalboard.
I used the following pedals:
PLUS Pedal, Line 6 Echo Park, Origin Effects Cali 76 TX, Bogner Wessex, Strymon DIG, TC Electronic Hall of Fame.
gear: Fender Telecaster, Fender Deluxe Reverb, PLUS Pedal, Line 6 Echo Park, Origin Effects Cali 76 TX, Bogner Wessex, Strymon DIG, TC Electronic Hall of Fame, Celestion G12M, Shure SM57, Cubase.
This is a comparison of an analog voiced, PT 2399 based digital delay and an analog delay (Chase Bliss Audio Tonal Recall RKM).
gear: Fender Telecaster, Fender Deluxe Reverb, Celestion G12M, Shure SM57, Cubase.
For further information about the “delay(ed)”- delay don’t hesitate to ask the Dude ( de*******@*******de.de).
You……are looking for a certain sound, but you don’t know how to create it? Continue reading “Ask the Dude”
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