This is a comparison of the Strymon Big Sky with the Lexicon PCM 81 Reverb Hall Rack Effect.
https://youtu.be/VZeb4nTEiqAhttp://
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
This is a comparison of the Strymon Big Sky with the Lexicon PCM 81 Reverb Hall Rack Effect.
https://youtu.be/VZeb4nTEiqAhttp://
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
There are numerous manufacturers who offer complex looper pedals which are supposed to simplify the use of a pedalboard.
But does really everybody need a looper pedal? Continue reading “Do I really need a looper?”
The first part of this series was focused on ways to attach the pedals to the pedalboard without any special benefits.
Now I would like to present the solutions of some clever manufacturers that promise to keep all pedals in place. Continue reading “Tips & Tricks: Attaching pedals to the pedalboard Part 2”
This is a comparison of the Fulltone Tube Tape Echo with a tape echo emulation (Strymon El Capistan) in combination with a tube preamp (Kingsley Page V2).
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
We are focusing all our efforts on the final touches but on 1 Oktober the day has come:
The DelayDude Shop goes online!
The carefully selected range of vintage and boutique pedals may include one or the other treasure you already know from the DelayDude videos.
We are looking forward for your visit!
The Strymon El Capistan is one of the best digital tape echo emulations.
Nevertheless, some miss the warm character of an analog device and consider that the sound of the Strymon El Capistan is somehow sterile. Continue reading “Ask the Dude: How to create the sound of the legendary Fulltone Tube Tape Echo”
Who hasn’t experienced the following: after a lot of work, you finally finished the composition of your pedalboard but when the pedalboard has to be transported, the question arises how to attach the small treasures to the board.
Here I would like to introduce diverse ways how to solve this problem.
To drill holes into the bottom of the pedal and bolt them to the pedalboard is a cheap way to attach a stompbox to the board.
But this method makes it pretty cumbersome to change the pedals and, furthermore, the pedal will be destroyed.
Everyone who ever found a popular vintage pedal with a bottom that looked like swiss cheese knows what I am talking about.
Another possibility to attach your pedals to the pedalboard is, to disassemble a bike chain and use the bottom cover screws to fix one part of a chain link to the pedal. The other side of the link can be bolt to the pedalboard.
This method is quite low-priced, space-saving and lasting.
But you will always need a screwdriver to change a pedal on the board.
And those, who are not willing to disassemble their bike, can also buy the small links which are offered by various manufacturers (f. e. Harley Benton Mounties).
If you use a pedalboard with holes you can also attach the pedals with cable ties to the pedalboard.
This solution is also offered by different manufacturers (Chemistry Design Werks).
But in my honest opinion, the visual appearance is somehow strange and you will always need a side cutter and new cable ties to change a pedal.
Velcro has become the standard for the attachment of pedals to a pedalboard.
For this technique you have to remove the rubber feet and fix one side of the Velcro to the bottom of your stompbox.
The counterpart of the Velcro has to be fixed to the pedalboard.
Velcro is quite inexpensive, easily obtainable and you will find different sizes.
Although the pedals can be removed/ changed pretty easily, this kind of attachment is relatively solid.
The great disadvantage is, that it is almost impossible to remove the Velcro residue-free and sometimes you also tear off labels or the coating of a pedal.
The second part of this series will be about special items which promise to keep every pedal in place.
This is a comparison of the Source Audio Nemesis with the Maxon AD-900 Analog Delay.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
You are looking for a transparent overdrive pedal?
Your favorite one has too much gain and you are searching for the ultimate low gain overdrive?
Maybe an overdrive pedal is not the best choice for you. Continue reading “Tips & Tricks: Stacking Boost Pedals”
Recently, Chase Bliss Audio debuted the Thermae, an analog pitch shifting pedal.
This pedal is based on a delay. To every cunning guitarist, this fact poses the question, if it might be possible to create this kind of sounds with a normal delay pedal, too. Continue reading “Analog Pitch Shifter: Do I really need the Chase Bliss Audio Thermae or is there any other option?”
This is a Video about how to create analog pitch shifting by using an analog delay (Chase Bliss Audio Tonal Recall RKM) in combination with an analog expression/cv sequencer pedal (Electro Harmonix 8 Step).
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
For sonwriting it is extremely important to have a good working pedalboard with inspiring sounds.
Today I would like to introduce some ideas that might worth it to be taken into consideration if you are willing to create such a songwriting pedalboard. Continue reading “Tips & Tricks: Songwriting Pedalboard”
Jazzmaster Pickups -vintage correct or Classic Player?
In 1958 Fender debuted the Jazzmaster guitar which has since been reissued numerous times.
Mainly the grunge music of the 90s made the Jazzmaster guitars and other “offset” like the Jaguar and the Mustang pretty popular. Continue reading “Jazzmaster Pickups – Vintage correct or Classic Player?”
This is a demo how to use the Kingsley Page V2 with the Electro Harmonix Deluxe Memory Man.
gear: Fender Jazzmaster (classic player), Kingsley Page V2, EHX Deluxe Memory Man, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
The Kingsley Page V2 is a tube booster and an overdrive pedal with a true 12AX7 tube. Continue reading “Kingsley Page V2 Review”
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