This is a comparison of the Strymon Brigadier with the Source Audio Nemesis. The Source Audio Nemesis is, as well as the Brigadier, able to emulate numerous analog delay sounds.
For it has about the same size, I decided to compare these two digital delays.
0:11 tone pot at noon Continue reading “Strymon Brigadier vs. Source Audio Nemesis”
This is a comparison of the Strymon Brigadier with the Electro Harmonix Deluxe Memory Man.
The Electro Harmonix Deluxe Memory Man is one of the brightest analog delays with a maximum delay time of up to 550ms.
Therefore, I choose the medium setting of the Brigadier, which emulates an analog delay with two ICs. Additionally, I turned the tone pot a bit further to create a similar bright sound.
0:11 Deluxe Memory Man medium delay time Continue reading “Strymon Brigadier vs. Electro Harmonix Deluxe Memory Man”
This is a comparison of the Ibanez AD9 and the Boss DM-2 with the Strymon Brigadier.
The Ibanez AD9 and the Boss DM-2 are two of the first analog delays. They provide a maximum delay time of about 300ms and a unique kind of oscillation.
For this comparison, choose the short setting for the Brigadier, because, it emulates an analog delay with one IC. Thereby, the Brigadier gets close to the sound of the AD9 and the DM-2.
0:11 Ibanez AD9 max delay time Continue reading “Strymon Brigadier vs. Ibanez AD9 and Boss DM-2”
Oft werde ich gefragt, welche meine Favoriten unter den Delays sind und ich muss gestehen, dass ich mich mit der Beantwortung dieser Frage wahnsinnig schwertue.
Trotzdem bin ich mal in mich gegangen und habe in den Kategorien analog Delays, digital Delays und Tape Emulationen jeweils eine Top-Gruppe zusammengestellt.
Innerhalb der Gruppen gilt, dass die Nennung der einzelnen Delays, beziehungsweise ihre Reihenfolge in den Videos nichts darüber aussagt, welches von ihnen ich am besten finde.
Ich könnte kein klares Ranking in den Gruppen vornehmen, weil ich mich zwischen den jeweils vorgestellten Delays mit ihren Vorzügen und „Nachteilen“ (wenn man meine Kritikpunkte überhaupt als solche bezeichnen kann) nicht entscheiden könnte. Daher erfolgt ihre Nennung in alphabetischer Reihenfolge.
In diesem letzten Teil der Serie geht es um meine liebsten digital Delays.
0:03 Boss DD-200 Continue reading “Meine liebsten Digital Delays”
Many times, I have been asked about my favorite delay pedals and I must confess, that this question is soo hard to answer to.
Nevertheless, after a long time of thinking and trying, I figured out groups of my favorite delays regarding the categories analog delays, digital delays and tape emulations.
The order of the delays within the respective group or video is no ranking for I am unable to tell which of them I like best. Thus, the presentation is according to the alphabetical order of their names.
This last part is dedicated to my favorite digital delay pedals. Continue reading “My favorite digital delay pedals”
This is a comparison of the Boss DD-8 with the DOD Rubberneck.
On request, I made this video. In comparison to the DD-7, the analog mode of the DD-8 has been changed. So, I wanted to compare this sound to another analog delay (DOD Rubberneck).
Furthermore, you will get slapback sounds, run-away feedback and oscillation.
1:13 slapback Continue reading “Boss DD-8 vs. DOD Rubberneck”
Hardware vs. Software:This is a comparison of the Strymon DIG with the PSP 85 VST plugin.
In this last part of a series of comparisons of a pedal with a VST plugin, I compare a VST plugin with a digital delay pedal.
The sound of both delays is based on the 80s rack-delays.
Check out if there are sonic differences between the pedal and a VST plugin.
0:11 24/96 Continue reading “Strymon DIG vs. PSP 85 VST Plugin”
A reader’s question to the Dude:“I have a question about two delay pedals, one of which I own and another I do not, but am interested in. You have demoed both on your channel, just never head to head.
The pedal I currently run on my board is a MXR Carbon Copy Deluxe. I love the pedal. I am running a professional tele through it into a Deluxe Reverb, and I love how it stays warm and doesn’t color my tone the way a lot of the digital delays seem to.
For some reason though, I am constantly looking at other delays thinking, “Ohhh, that will be the one I should replace the MXR with.” I am not looking to replace it, but, I don’t know why I keep looking at other ones.
This brings me to the other pedal, the Eventide Rose.
Seems awesome, and has that feeling of the MXR, but I cannot find any direct comparison videos of both.
I was hoping you could just tell me what you think about the two of them in comparison. Continue reading “MXR Carbon Copy Deluxe or Eventide Rose?”
Hardware vs. Software:This is a comparison of two legendary analog delay pedals with the Soundtoys Echoboy VST Plugin.
For the Echoboy VST plugin offers a Memory Man emulation, as well as a DM-2 emulation, I choose the and Electro Harmonix Deluxe Memory Man and the Boss DM-2 for this comparison.
Check out if there are sonic differences between the pedals and a VST plugin.
This is the second part of a series of comparisons of a pedal with a VST plugin. Stay tuned for the last part about digital delays compared with a VST plugin.
0:11 DMM with vibrato / Memory Man emulation Continue reading “Analog Delays vs. Soundtoys Echoboy VST Plugin”
Hardware vs. Software:This is a comparison of the Strymon Volante with the Soundtoys Echoboy VST Plugin.
Check out if there are sonic differences between a pedal and a VST plugin.
This is the first part (tape emulation) of a series of comparisons of a pedal with a VST plugin. Stay tuned for further parts about digital delays and analog delays.
0:11 tape delay Continue reading “Strymon Volante vs. Soundtoys Echoboy VST Plugin”
This is a demo of some special sounds of the Boss DD-8. Besides +RV and shimmer, I also present sonic options of the modes mod, warp and GLT.
This is a demo of the Boss DD-8 .The Boss DD-8 is the most recent compact Boss delay and the direct successor of the DD-7. It provides a looper and 11 delay modes.
0:10 Standard Continue reading “Boss DD-8”
This is a comparison of the Boss DD-7 with the Boss DD-8.
They look like twins, but what about the sound?
Find out more about the sonic similarities and differences in varying modes, different delay times and regarding modulation and reverse.
0:10 analog mode Continue reading “Boss DD-7 vs. DD-8”
This is a comparison of the Source Audio Nemesis with the Line6 DL4.
The Line6 DL4 has been launched decades ago, but still doesn’t have to be shy about a comparison with the Source Audio Nemesis.
In this demo I compare different modes of these two workhorses.
0:09 DL4: tube tape / Nemesis: noise tape with slight modulation Continue reading “Source Audio Nemesis vs. Line6 DL4”
This is a comparison of the Empress Echosystem with the Hughes & Kettner Replex.
In this demo I compare different settings of drive and vintage factor of the Hughes & Kettner Replex with varying tape modes of the Empress Echosystem.
0:12 Replex:single head, vintage factor fccw/ Echosystem: new tape Continue reading “Empress Echosystem vs. Hughes & Kettner Replex”
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