This is a comparison of the Neunaber Expanse with the Source Audio Ventris.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Neunaber Expanse with the Source Audio Ventris.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a blind comparison of the DOD Rubberneck wth the Electro Harmonix Deluxe Memory Man.
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the DMB Pedals Lunar Echo with the Maxon AD-900 Analog Delay.
The Lunar sounds warmer and percussive while the sound of the Maxon AD 900 is clearer and darker.
This is a comparison of the Retro-Sonic Analog Delay with the Maxon AD-900 Analog Delay.
The Retro-Sonic Analog Delay sounds grittier while the sound of the Maxon AD 900 is clearer and darker.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
This is a comparison of the DOD Rubberneck with the Ibanez DE-7.
The DOD Rubberneck has got much midrange and provides the rough sound of a marvelous vintage delay. By using the tone pot you can set beautiful dark delays. The Rubberneck is perfect to create ambient sound and soundscapes. The gain pot enables you to produce grittier delays.
All pots are quite interactive and offer numerous setting options.
The special thing about the echo mode of the DE-7 is, that the digital created signal must pass an analog circuit with a JRC 4580, clipping diodes and analog filters. You can easily produce beautiful rhythmical delays. A switch allows to chose between three different delay “ranges” which can be fine-tuned by the delay time pot.
Echo and delay can be selected by the mode switch.
This is a comparison of the Neunaber Expanse with the Lexicon PCM 81 Reverb Hall Rack Effect.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, DIY Buffer, Cubase.
This is a comparison of the Eventide H9 Harmonizer with the Lexicon PCM 81 Reverb Hall Rack Effect.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
This is a comparison of the Source Audio Ventris Dual Reverb with the Lexicon PCM 81 Reverb Hall Rack Effect.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
This is a comparison of the Strymon Big Sky with the Lexicon PCM 81 Reverb Hall Rack Effect.
https://youtu.be/VZeb4nTEiqAhttp://
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
This is a comparison of the Fulltone Tube Tape Echo with a tape echo emulation (Strymon El Capistan) in combination with a tube preamp (Kingsley Page V2).
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
This is a comparison of the Neunaber Expanse with the TC Electronic Hall of Fame.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a reverb pedal comparison: TC Electronic Hall Of Fame vs. Strymon Big Sky.
gear: Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Neunaber Expanse Reverb with the Strymon Big Sky Reverb:
gear: Different than usual I use a Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
From now on you can find all videos of the Delay Dude on youtube.com/delaydude.
Besides overdrive- and compressor- shootouts, videos with DIY instructions and modifications you will encounter comparisons of numerous analog and digital delays by various manufacturers like Electro Harmonix, Chase Bliss Audio, Fulltone or Strymon.
Every Wednesday a new video will be released. Just have a look and subscribe.
This is a comparison of two digital delays. The TC Electronic 2290 versus the Strymon DIG.
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
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