This is a comparison of the Strymon Volante with the Source Audio Nemesis.
Find out more about delay types like tape, noise tape/tape half speed, rhythmic/drum and how both of these great delays sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
And another one of my heroes answered to the 7 questions of the DelayDude.
Enjoy the exciting entertaining interview with Steve Bragg.
And learn more about the man behind the innovative and impressing Empress pedals. Continue reading “7 questions to Steve Bragg (Empress)”
This is a video about the marvellous Strymon Volante.
For the Volante is an incredible extensive delay, I won’t even try to present all of its brilliant functions.
I only present my 7 favorite settings instead.
0:08 dark bouncing drum
0:47 bright slapback tape
1:17 wobbling drum
1:57 floating studio
2:23 percussive drum
2:55 worn-out drum
3:32 crisp drum
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Click here for a detailed review of the Volante.
This is a comparison of the Walrus Audio ARP-87 with the DOD Rubberneck.
For the DOD Rubberneck is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a comparison of the Walrus Audio ARP-87 with the Maxon AD-900.
For the Maxon AD-900 is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Find out more about the sound of different delay times and how both pedals may sound in the mix.
This is a comparison of the Chase Bliss Audio Tonal Recall RKM with the Walrus Audio ARP-87.
For the Chase Bliss Audio Tonal Recall RKM is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
Starting to play guitar, most guitarists dispense with effect pedals.
The guitar connected to the amp is all you need to be happy. Continue reading “Evolution of the pedalboard”
Like its predecessors, the Diamond Memory Lane Jr. needs quite a lot space on the pedalboard.
In return, the digital version of the Memory Lane series offers 1200 ms maximum delay time that can be enjoyed in the analog or digital mode. Continue reading “Diamond Memory Lane Jr.”
This is a comparison of the Walrus Audio ARP-87 with the MXR Carbon Copy Deluxe.
For the MXR Carbon Copy Deluxe is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
Like its predecessor, the Diamond Memory Lane 2 is a less pedalboard-friendly analog delay pedal.
The 550ms of maximum delay time are, accordingly to the Memory Lane, refined by the legendary Panasonic MN 3005 chip. Continue reading “Diamond Memory Lane 2”
This is a Comparison of the Boss DD-7 with the Source Audio Nemesis. Besides the analog and digital delay sounds and the reverse mode of both pedals, I also demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a Comparison of the Boss DD-7 with the Strymon DIG.
In this video I only used the digital mode of the Boss DD-7, because the Strymon DIG does not offer an analog delay mode.
At the end of the video I demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
The Chase Bliss Audio Tonal Recall RKM is – as the name already suggests – quite similar to the Chase Bliss Audio Tonal Recall. Continue reading “Chase Bliss Audio Tonal Recall (Red Knob Mod)”
This is a comparison of the Walrus Audio ARP-87 with the Source Audio Nemesis.
In this video you will find out more about the sound of the digital and the analog mode, of these two digital delay pedals. Besides, I also present the digital mode with modulation how both pedals may sound in the mix.
The Chase Bliss Audio Thermae is a pedalboard-friendly 9V analog delay. Like all Chase Bliss Audio pedals, this stompbox also is constructed according to the motto “analog heart-digital brain”. Continue reading “Chase Bliss Audio Thermae”
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