This is a demo about several sonic options of the Strymon Brigadier.
For a detailed review and further information about the different modes click here.
0:11 medium Continue reading “Strymon Brigadier”
Tag: guitargear
First flight through the Strymon NightSky
This is a video about my first contact with the marvelous Strymon NightSky.
Just lean back and enjoy the flight.
gear: Fender Telecaster, DelayDude Custom Amp, Shure SM57, Cubase, Evidence Audio SIS Cables.
BOSS DD-200 special algorithms
This is a demo of some special algorithms of the marvelous BOSS DD-200 (http://www.bossus.com/).The BOSS DD-200 is a standalone pedal which is really compact, provides many features and can be extended extremely by connecting additional switches and midi.
Shimmer
0:54 Tera Echo Continue reading “BOSS DD-200 special algorithms”
BOSS DD-200
This is a demo of the BOSS DD-200 (http://www.bossus.com/).
The BOSS DD-200 is a standalone pedal which is really compact, provides many features and can be extended extremely by connecting additional switches and midi.
0:10 standard Continue reading “BOSS DD-200”
Source Audio Nemesis vs. Line6 DL4
This is a comparison of the Source Audio Nemesis with the Line6 DL4.
The Line6 DL4 has been launched decades ago, but still doesn’t have to be shy about a comparison with the Source Audio Nemesis.
In this demo I compare different modes of these two workhorses.
0:09 DL4: tube tape / Nemesis: noise tape with slight modulation Continue reading “Source Audio Nemesis vs. Line6 DL4”
Empress Echosystem vs. Hughes & Kettner Replex
This is a comparison of the Empress Echosystem with the Hughes & Kettner Replex.
In this demo I compare different settings of drive and vintage factor of the Hughes & Kettner Replex with varying tape modes of the Empress Echosystem.
0:12 Replex:single head, vintage factor fccw/ Echosystem: new tape Continue reading “Empress Echosystem vs. Hughes & Kettner Replex”
Strymon Volante vs. Akai Headrush
This is a comparison of the Strymon Volante with the Akai Headrush.
By activating different tone heads, I created varying rhythms.
A sonic coulouring of each of these rhythms is added by different settings.
0:12 tape echo (Headrush)/ tape mode (Volante) – tone head 4 activated Continue reading “Strymon Volante vs. Akai Headrush”
Source Audio Nemesis vs. Erica Synths Zen Delay
This is a comparison of the Source Audio Nemesis with the Erica Synths Zen Delay.
For these two are digital stereo delays, please use your headphones.
Both delays do not have true bypass, I used a true bypass looper (Lehle Parallel) for the audio recording.
0:08 digital mode (Zen Delay)
digital mode (Nemesis) Continue reading “Source Audio Nemesis vs. Erica Synths Zen Delay”
Erica Synths Zen Delay vs. DOD Rubberneck
This is a comparison of the DOD Rubberneck with the Erica Synths Zen Delay
For both delays do not have true bypass, I used a true bypass looper (Lehle Parallel) for the audio recording.
The Zen Delay does not provide an analog mode. Via the filter settings, I formed an analog-like sound in the digital delay mode. And the Rubberneck is, what it is: a great dark and gritty analog delay.
0:09 band pass filter (Zen Delay)
tone at noon (Rubberneck) Continue reading “Erica Synths Zen Delay vs. DOD Rubberneck”
Fulltone Tube Tape Echo vs. Erica Synths Zen Delay
This is a comparison of the Fulltone Tube Tape Echo with the Erica Synths Zen Delay
For both delays do not have true bypass, I used a true bypass looper (Lehle Parallel) for the audio recording.
I would like to present some sonic options by using different modes and filters of the Erica Synths Zen Delay and varying speeds and a higher record level for tape saturation of the Fulltone Tube Tape Echo.
0:09 tape mode / band pass filter (Zen Delay)
low speed (Tube Tape Echo) Continue reading “Fulltone Tube Tape Echo vs. Erica Synths Zen Delay”
AnalogMan ARDX20 vs. Maxon AD-900 – Analog delay comparison
This is a comparison of the AnalogMan ARDX20 with the Maxon AD-900.
These both analog delays create a rather dark sound. They are about the same size, but for the AnalogMan ARDX20 comes along with the Amazeo, it will need a bit more space on the pedalboard. Therefore, you will additionally get tap tempo and modulation.
Sonically both delay pedals are based on the Ibanez AD-9.
For the Maxon AD-9 does not provide modulation, I forego showing this feature of the AnalogMan ARDX20. Find out more about the sound of different delay times and how both pedals may sound in the mix.
0:07 about 600ms delay time (max. delay time of the AD-900)
1:02 shorter delay time Continue reading “AnalogMan ARDX20 vs. Maxon AD-900 – Analog delay comparison”
Strymon Volante – soundscaping loop with Elektron Digitakt
This is a stereo demo of the sound on sound mode of the Strymon Volante accompanied by the Elektron Digitakt.
Recorded with the Elektron Digitakt and Ableton live.
Please use your headphones!
gear: Fender Jazzmaster, Strymon Volante, Elektron Digitakt, Ableton live.
AnalogMan ARDX20 vs. DOD Rubberneck – Analog delay comparison
This is a comparison of the AnalogMan ARDX20 with the DOD Rubberneck.
These both analog delays create a rather dark sound. Each of them provides modulation and – if you also use the Amazeo for the ARDX20- also tap tempo.
Find out more about the sound of different delay times and how both pedals may sound in the mix.
0:07 Rubberneck with tone and gain at 12 o’clock Continue reading “AnalogMan ARDX20 vs. DOD Rubberneck – Analog delay comparison”
Strymon Volante – live looping (sound on sound mode)
This is a stereo demo of a fading loop of a worn tape mode of the Strymon Volante.
Recorded with the Elektron Digitakt and Ableton live.
Please use your headphones!
gear: Fender Jazzmaster, Strymon Volante, Elektron Digitakt, Ableton live.
DIY Pedalboard
Although a pedalboard actually is only a basis for effect pedals, it can be so much more than this.
There are numerous manufacturers that offer almost all sizes and variants. But frequently, a DIY pedalboard can be tailored to your very own needs and it can also be much more favorable. Continue reading “DIY Pedalboard”
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