Empress Echosystem Freezification vs. Gamechanger Audio PLUS Pedal

This is a comparison of the Freezification-mode of the Empress Echosystem with the Gamechanger Audio PLUS Pedal.
In this comparison, I used different times for attack and release and altered the adjustment of the tone pot in the different sound files to create varying tonal colorings.
Especially in the second file you will hear the sonic difference between the PLUS Pedals and the Echosystem. While the PLUS Pedal puts the layers on top of each other and fades out more fluently, the current signal of the Echosystem fades out completely before the next sound wave arises. Depending on the style of playing, this difference regarding the blend effect can be used quite purposefully.

1:39 Kill dry/Wet only + dark, natural sustain Continue reading “Empress Echosystem Freezification vs. Gamechanger Audio PLUS Pedal”

Ambient Pedalboard #3 THERMAE in sync with the SDRUM – LoFi

This is the third and last part of the video of creating anbient sounds with the Chase Bliss Audio Thermae.
In this video I used a POG2 to create a bass-like guitar sound, which than has been pitched one octave up by the Thermae.
Thereby you can create nice lofi sounds.

Everything in sync with the DelayDude Midi Sync Cable.

gear: Fender Stratocaster, Fender Deluxe Reverb, Cubase.

Ambient Pedalboard #2 – THERMAE inSync with the SDRUM feat. Generation Loss

This is a video about the pitch shifting function of the Chase Bliss Audio Thermae. For this pedal is too complex to do a simple demo video, I decided to present the Thermae inSync in the context of a whole song.
The Thermae is accompanied by the Montreal Assembly Count to Five, the Cooper FX Generation Loss, the Origin Effects Cali 76 as well as by the Source Audio Ventris. All bass parts are created via the Electro Harmonix POG2.
Looped with the DigiTech JamMan SoloXT.
By using the DelayDude Midi Sync Cable, the JamMan SoloXT as well as the delay speed are send via the DigiTech SDRUM (master clock).

gear: Fender Stratocaster, Fender Deluxe Reverb, Cubase.

Ambient Pedalboard- Chase Bliss Audio Thermae inSync with the SDRUM feat. Count to Five

This is a video about the Chase Bliss Audio Thermae. For this pedal is too complex to do a simple demo video, I decided to present the Thermae (as a darker vintage style analog delay with modulation) inSync in the context of a whole song.
The Thermae is accompanied by the Montreal Assembly Count to Five, the Cooper FX Generation Loss, the Origin Effects Cali 76 as well as by the Source Audio Ventris. All bass parts are created via the Electro Harmonix POG2.
Looped with the DigiTech JamMan SoloXT.
By using the DelayDude Midi Sync Cable, the JamMan SoloXT as well as the delay speed are send via the DigiTech SDRUM (master clock).

So, relax and enjoy the sound!

In part 2 you will learn more about the pitch shifting function of the Thermae.
Therefore, stay tuned and inSync!

Walrus Audio ARP-87 vs. DOD Rubberneck – Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the DOD Rubberneck.
For the DOD Rubberneck is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Maxon AD-900 vs. Walrus Audio ARP-87 – Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the Maxon AD-900.
For the Maxon AD-900 is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Find out more about the sound of different delay times and how both pedals may sound in the mix.

Chase Bliss Audio Tonal Recall RKM vs. Walrus Audio ARP-87 – Delay Comparison

This is a comparison of the Chase Bliss Audio Tonal Recall RKM with the Walrus Audio ARP-87.
For the Chase Bliss Audio Tonal Recall RKM is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Walrus Audio ARP-87 vs. MXR Carbon Copy Deluxe – Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the MXR Carbon Copy Deluxe.
For the MXR Carbon Copy Deluxe is an analog delay pedal, I only use the analog mode of the Walrus Audio ARP-87. Besides, I also present modulation and how both pedals may sound in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Walrus Audio ARP-87 vs. Source Audio Nemesis – Digital Delay Comparison

This is a comparison of the Walrus Audio ARP-87 with the Source Audio Nemesis.
In this video you will find out more about the sound of the digital and the analog mode, of these two digital delay pedals. Besides, I also present the digital mode with modulation how both pedals may sound in the mix.

Walrus Audio ARP-87 – Digital Delay Demo

This is a demo of the Walrus Audio ARP-87.

Besides varying setting options in the digital and analog mode, I also present the modulation and the lo-fi sounds of this versatile digital delay. And at the end of this video you will find out how the ARP-87 sounds in the mix.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.

Source Audio Ventris vs. Neunaber Expanse – Reverb Comparison

This is a comparison of the Neunaber Expanse with the Source Audio Ventris.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Eventide H9 vs. Source Audio Ventris – Reverb comparison

This is a stereo comparison of the Eventide H9 with the Source Audio Ventris.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Blind Digital Delay Comparison: Line 6 Echo Park vs. Akai Headrush

This is a blind comparison of the Line 6 Echo Park with the Akai Headrush.

gear: Epiphone Riviera (with P-94 Pickups)Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.

Solution : Continue reading “Blind Digital Delay Comparison: Line 6 Echo Park vs. Akai Headrush”

Budget analog delay demo

In this video I would like to go in to bat for budget analog delay pedals like the Biyang AD-10 Time Machine Analog Delay, the Fame AD-10 Repeat That!, the Valeton AD-10 Analog Delay, the Akai Analog Delay or the Eagletone AD-8 Analog Delay.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.