This is a demo of the Erica Synths Zen Delay.
Initially, it has been designed for synthesizer players. But it is absolutely recommendable for guitarists.
Learn more about the extensive functions, filters and the different modes of this awesome pedal.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase, Evidence Audio SIS Cables.
0:01 tape mode Continue reading “Erica Synths Zen Delay with a guitar”
Actually, Erica Synths are famous for modular synthesizers. But the Zen Delay is a delay pedal that could be really interesting for guitarists.
I got the chance for an extensive testing and here, I would like to present the first of two parts of the review. Continue reading “Review: Erica Synths – Zen Delay Part I”
This is a stereo demo of the sound on sound mode of the Strymon Volante accompanied by the Elektron Digitakt.
Recorded with the Elektron Digitakt and Ableton live.
Please use your headphones!
gear: Fender Jazzmaster, Strymon Volante, Elektron Digitakt, Ableton live.
For some time, the British band Amber is no longer an insider’s tip and songs like “I found” and “no answers” are definitively high-class tunes.
But their pedalboards also offer some cuties that will make the hearts of guitarists beat faster. Continue reading “Sound like: Amber Run”
The Ibanez AD 99 is a less pedalboard-friendly analog delay.
To be strictly accurate, this mono- pedal is AD 9 in a bigger enclosure. Continue reading “Ibanez AD 99”
This is a comparison of the AnalogMan ARDX20 with the DOD Rubberneck.
These both analog delays create a rather dark sound. Each of them provides modulation and – if you also use the Amazeo for the ARDX20- also tap tempo.
Find out more about the sound of different delay times and how both pedals may sound in the mix.
0:07 Rubberneck with tone and gain at 12 o’clock Continue reading “AnalogMan ARDX20 vs. DOD Rubberneck – Analog delay comparison”
To me, Balthazar have been one of the major discoveries for the past years. First, I joined one of their concerts as a supporting- act of the Editors and I must confess: I was totally amazed.
The sound as well as the style of this band is unique and hard to describe – therefore, just click here and listen.
In this article, I would like to present the bands’ equipment which is so decisive for their sound. Continue reading “Sound like: Balthazar”
Because of its size, the Maxon AD 900 is a less pedalboard-friendly analog delay.
Sonically oriented to the AD 9 the sprit separates regarding the two possible chips that have been used for the circuit of the Maxon AD 900. Continue reading “Maxon/Ibanez AD 900”
This is a stereo demo of a fading loop of a worn tape mode of the Strymon Volante.
Recorded with the Elektron Digitakt and Ableton live.
Please use your headphones!
gear: Fender Jazzmaster, Strymon Volante, Elektron Digitakt, Ableton live.
Although a pedalboard actually is only a basis for effect pedals, it can be so much more than this.
There are numerous manufacturers that offer almost all sizes and variants. But frequently, a DIY pedalboard can be tailored to your very own needs and it can also be much more favorable. Continue reading “DIY Pedalboard”
Like its predecessor, the Ibanez AD 9, the Maxon AD 9 Pro is also a pedalboard-friendly analog delay. Continue reading “Maxon AD 9 Pro”
This is a comparison of three different types of delays all accompanied by the Timmy.
For this demo I used a classic analog delay (Electro Harmonix Deluxe Memory Man), a tape echo emulation (Strymon Volante) and a digital delay (Empress Echosystem).
The Paul Cochrane Timmy is probably the best choice, if you are looking for a transparent overdrive. so, go ahead and find out, how it affects every single type of delay depending on the respective kind of playing (like dynamic playing, modulation, in the mix).
If you are looking for a sonic sneak peak, check out 1:22.
0:04 EXH Deluxe Memory Man with Timmy Continue reading “Tape Emulation, analog and digital delay – how do they sound with an overdrive pedal (Paul Cochrane Timmy)?”
The Colorsound Supa Wah Fuzz Swell is one of the first multi effect pedals. Developed in the early 1970s in England, this pedal is hard to find today. Continue reading “Vintage effect portraits: Colorsound Supa Wah Fuzz Swell”
The Ibanez AD 9 is a pedalboard-friendly analog delay and, to me, the embodiment of a dark old-school analog delay sound. Continue reading “Ibanez AD 9”
This is a comparison of the MXR Carbon Copy Deluxe with the AnalogMan ARDX20.
These both analog delays create a rather dark sound. By using the Amazeo, the ARDX20 provides tap tempo like the MXR Carbon Copy Deluxe. Find out more about the sound of different delay times, the modulation sound and how both pedals may sound in the mix.
0:07 medium delay time Continue reading “MXR Carbon Copy Deluxe vs. AnalogMan ARDX20 – Analog delay comparison”
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