Korg Volca – unoffical firmware

Tips & tricksThe Korg Volcas are pretty flexible devices that received a little firmware-update last year.
But there are also unofficial firmware versions for the Volca FM and the Volca Sample, which I have tested as well.

Installation

Similar to the installation of the official updates, the update mode must be activated while the Korg Volca is started. Therefore, you have to keep the buttons Func and Play pressed while you switch the Volca on. Now, you can connect the sync-in jack of the Volca with the audio-out of the computer.
The volume of the computer ought to be quite loud, but not maxed. I mostly use a level of 80%.
By using an adequate media plays, the firmware can be played back as an audio file via the computer. In this case, it is important to deactivate all further sounds (like emailbox or likewise). Otherwise, you will get an error message.
After the update is finished, the Volca needs a re-start.

Volca FM 1.09

For the velocity function is a decisive characteristic of inspiring FM sounds, a FM synth actually is supposed to provide such a feature.
Unfortunately, Korg has not implemented this feature by now.
Alternatively, you could complement this function for external keyboards via using a specific Retrokits RK-002 midi cable.
The unofficial Firmware 1.09 add the velocity function to the Volca. The keys of the internal keyboard do not send velocity information, but by connecting an external keyboard, the respective data can be sent to the FM.

Another interesting feature is the patch changes note on/off. While it is deactivated, a played tone can be sustained, even though you select another sound. Until now, the sound has been stopped in this case. Now, a fluent transition between different sounds is possible.

Besides, there have been new control change orders added. For example, the free assignment of the mod wheel, various chorus settings, the loading of patches and pattern as well as subdivisions of the tempo.

The firmware runs quite reliably. Only some posts on the internet revolve around the problem, that the Volca switches itself of with this firmware. The reason is a flat battery or the power supply does not provide enough current. The FM needs more than 100mA to work reliable. The unofficial firmware might need a little more current; thus, you should keep the capacity of your power supply in mind.

All of these new features can be deactivated in the global menu. Ant those, who don’t like the firmware anyway, can downgrade the Volca to the official firmware easily. The Korg Volca support website offers a free download of this file.

Volca Sample Beta 7

Regarding the Volca Sample, the process of the installation of the Beta 7 firmware update is identical. You can replay all samples chromatically as well as using the “sequencer channel” to select all of the 10 sounds via the midi keyboard. As with the Volca FM, you can also activate velocity.
It can be selected just like pitch and note triggering via part or pattern.

New control changes for reverb, mutes, pattern-changes, reverse and so on have been implemented. Besides, there are also to new reverb algorithms.
Many of these new parameters can be changed directly in the live mode. It is not necessary to enter the global setup and re-start the device. By keeping the func button pressed, you can select a respective function through the sample pot.

Another interesting feature is the SAMP. It assigns 100 samples to the midi keyboard. Thereby, you can use all samples at the same time or rather program them via midi.
Thus, the Sample becomes a fully adequate sampler.
Of course, you can play polyphonic samples as well. Similar to the Digitakt, you can adjust the probabilities of a trigger. The standard setting is set to 100%. By reducing the probability, each pattern becomes a diversified part of the song.

Last but not least, there is the drone mode. It allows to set the decay of all samples to the maximum and thereby enables you to create some kind of infinite mode while you are looping.
This unofficial Beta 7 firmware runs stable and reliable. Because of the numerous features, I really recommend this type of firmware.
And it also applies in this case: if you don’t like the new firmware, you can go back too the official Korg firmware easily and for free.

Neunaber Expanse as a delay

In this video, I used the Neunaber Expanse as a delay.
Most people use it as a reverb effect, but through the Neunaber App you can also download several delay algorithms. The additional EXP Controller allows to choose between up to four different presets.
For it is stereo, please use your headphones!

 

0:08 echelon scatter Continue reading “Neunaber Expanse as a delay”

Lunchbox Tube Amps Part III

Ask the DudeIn the first part of this series, I presented some budget tube combos. In the second part, I started a small overview of several heads. And finally, I would like to end up this series with some last recommendations. Continue reading “Lunchbox Tube Amps Part III”

Lunchbox Tube Amps Part II

Frag den DudeIn the first part of this series, I presented some budget tube combos. Here, I would like to give a small overview of several heads.
They are even more handy and you can connect every speaker you like.
Mini heads are pretty functional and flexible. Besides, they are (mostly) cost-effective and fit in almost every gig bag. Continue reading “Lunchbox Tube Amps Part II”

7 questions to Dave Fruehling (Strymon)

7 questions toI love Strymon effects and the Strymon Volante is one of my favorite delay pedals.
Therefore, I am proud to present this interview with Dave Fruehling, Co-Founder of Strymon. Continue reading “7 questions to Dave Fruehling (Strymon)”

Lunchbox Tube Amps

Ask the DudeSmall tube amps are pretty popular at the moment. And mostly, they are not much quieter than their big brothers. But of course, they offer a little less clean headroom.
They can be carried easily and they are so much more than just a little toy. Perfect for a jam-session at home or for recording.
In the Studio, even Led Zeppelin did not use a Marshall full stack but a small Supro amp.
Mostly, the prices of these little amps are comparable with the effort for a good effect pedal.

In this three-part series, I would like to present a small overview of well-priced 5Watts tube heads and amps. Continue reading “Lunchbox Tube Amps”

Review: Erica Synths – Zen Delay Part II

Zen delayActually, Erica Synths are famous for modular synthesizers. But the Zen Delay is a delay pedal that could be really interesting for guitarists.

I got the chance for an extensive testing and here, I would like to present the second of two parts of the review. Continue reading “Review: Erica Synths – Zen Delay Part II”

Erica Synths Zen Delay with a guitar

This is a demo of the Erica Synths Zen Delay.
Initially, it has been designed for synthesizer players. But it is absolutely recommendable for guitarists.
Learn more about the extensive functions, filters and the different modes of this awesome pedal.

gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase, Evidence Audio SIS Cables.

0:01 tape mode Continue reading “Erica Synths Zen Delay with a guitar”

Review: Erica Synths – Zen Delay Part I

Zen delayActually, Erica Synths are famous for modular synthesizers. But the Zen Delay is a delay pedal that could be really interesting for guitarists.

I got the chance for an extensive testing and here, I would like to present the first of two parts of the review. Continue reading “Review: Erica Synths – Zen Delay Part I”

Effect pedals for bass players – part 2

Tips & tricksThe majority of effect pedals are made for guitarists and therefore, many bass players fear the contact with the small (and sometimes big) devices that can add a special character to the sound.
In the first part of this two-part series, I already presented some effect categories, every bass player can use without taking any risks. In this second part, we will have a closer look on effects, that require a bit more sensitivity.
So, boys and girls behind the fat strings: go for it! Continue reading “Effect pedals for bass players – part 2”

Hughes & Kettner Replex

Hughes and Kettner ReplexThe Hughes & Kettner Replex a not even pedalboard-friendly digital delay which is specialized on a marvelous tube sound.
But the outstanding design, as well as its sound are justifying the size of this true bypass pedal absolutely. Continue reading “Hughes & Kettner Replex”

Effect pedals for bass players – part 1

Tips & tricksThe majority of effect pedals are made for guitarists and therefore, many bass players fear the contact with the small (and sometimes big) devices that can add a special character to the sound.
In the first part of this two-part series, I would like to present some effect categories, every bass player can use without taking any risks. In the second part, we will have a closer look on effects, that require a bit more sensitivity.
So, boys and girls behind the fat strings: go for it! Continue reading “Effect pedals for bass players – part 1”

My favorite budget delays

Because of the numerous requests regarding my favorite bugdet delays, I tried to figure out my top delays within the categories tape emulation, digital delay and analog delay.
The order of the delays within the respective group or video is not a ranking, for I am unable to tell which of them I like best.

0:04 NUX Tape Core Deluxe Continue reading “My favorite budget delays”

7 questions to David Koltai (Pigtronix)

7 questions toFor it is Christmas time, there will be present in the form of the 7-questions-to-interview with David Koltai. He is the guy behind the unique Pigtronix effects, which all bear the probably coolest logo so far. Find out which question he is waiting for to be ask and enjoy his answers to the 7 questions of the DelayDude.

Continue reading “7 questions to David Koltai (Pigtronix)”

The Eventide comparison: H9 Harmonizer vs. ROSE delay

This is a comparison of the Eventide ROSE delay with the H9 Harmonizer.
Get thrilled by different types of delays, modulation, reverse delays and the sound of both pedals in the mix.

0:11 bright digital delay Continue reading “The Eventide comparison: H9 Harmonizer vs. ROSE delay”