This is a comparison of the Empress Echosystem with the Eventide Rose. For the Rose is a mono pedal, I chose the single mode for the Echosystem.
Find out more about different settings of these delay pedals and how both of them can sound in the mix.
gear: Fender Stratocaster,Evidence Audio SIS Cables, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
0:09 brightest setting / digital mode Continue reading “Empress Echosystem vs. Eventide Rose”
In this last part of my Empress Echosystem review, I would like to present further sounds of this outstanding pedal. Continue reading “Review: Empress Echosystem – Part 3”
In this second part of the detailed Empress Echosystem review, I would like to make you learn more about some of the marvelous sounds of this great delay pedal. Continue reading “Review: Empress Echosystem – Part 2”
This is a stereo demo of the amazing Empress Echosystem.
Please, use your headphones!
For the Echosystem is an incredible extensive delay, I won’t even try to present all of its brilliant functions.
I only present my 7 favorite settings instead.
0:08 tape mode (Echoplex/ Space Echo) – left/right Continue reading “Empress Echosystem – my favorite 7 settings”
The Empress Echosystem is an extensive equipped delay (or rather two delay engines) in a compact enclosure. I think, that this pedal is able to create almost every kind of sound. Continue reading “Review: Empress Echosystem – Part 1”
This is a comparison of the Source Audio Nemesis with the CCrazy Tube Circuits Echotopia.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a comparison of the Wampler Faux Tape Echo with the Crazy Tube Circuits Echotopia.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
The Crazy Tube Circuits Echotopia is a digital tape echo emulation and for its size not even pedalboard-friendly. But regarding the dimensions of a Roland Space Echo, the space requirement is definitively justified. Continue reading “Crazy Tube Circuits Echotopia”
This is a stereo comparison of the Crazy Tube Circuits Echotopia with the Eventide H9 Harmonizer.
Please use your headphones!
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
The DigiTech DigiDelay is a pedalboard-friendly digital delay that provides several features in an optically not really attractive enclose. Besides tap tempo and modulation, the 9V stereo pedal offers a maximum delay time of 4 seconds. Continue reading “DigiTech DigiDelay”
This is a comparison of the Crazy Tube Circuits Echotopia with the Fulltone Tube Tape Echo.
For a better comparability, I maxed the mood pot of the Crazy Tube Circuits Echotopia because the Fulltone Tube Tape Echo provides a very bright sound.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase, AB bypass switch.
This is a stereo comparison of the Strymon Volante with the Crazy Tube Circuits Echotopia.
Find out more about marvellous sound options of these two vintage style tape echo emulation pedals.
Please use your headphones!
The Earthquaker Devices Avalanche Run is a moderate pedalboard-friendly digital delay, that, in fact is rather a mixture of a delay and a reverb effect. Continue reading “Earthquaker Devices Avalanche Run”
The Dunlop Echoplex EP 103 is a pedalboard-friendly digital delay. By connecting the external tap footswitch, the 750 ms of maximum delay time can be extended up to 4 seconds. Continue reading “Dunlop Echoplex EP 103”
This is a stereo demo of the Crazy Tube Circuits Echotopia.
Find out more about the nearly endless setting options of this vintage style tape echo emulation.
Please use your headphones!
Click here for the full review of the Echotopia.
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