This is a demo of the Ibanez Echo Shifter ES2. Find out more about functions like modulation, varying delay times, oscillation and the shifting-effect.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a demo of the Ibanez Echo Shifter ES2. Find out more about functions like modulation, varying delay times, oscillation and the shifting-effect.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
In the first part of “The perfect delay pedal” I declared myself to be an analog delay fan and expressed myself for tap tempo and midi input.
This second part will be about more features, a perfect delay should – in my opinion – provide. Continue reading “The perfect delay pedal – Part 2”
In this video I would like to present the Delay Dude Clutch.
The first Delay Dude pedal is a momentary bypass looper which enables the user to add delay pedals (in this case the Electro Harmonix Deluxe Memory Man) constantly or temporarily to the effect chain while allowing the trails to fade out after switching off the looper.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Delay pedals are an absolutely great invention and in essence I wish to never turn them off.
But sometimes you can emphasize the delay effect by a calculated activating and deactivating.
The only annoying fact about delay pedals that lack a trails function, is, that they fall silent in the moment they are switched off.
This is where the Delay Dude Clutch Momentary Bypass Looper will help restore the affection felt for the gorgeous delay pedals without a trails function. Continue reading “The Delay Dude Clutch Momentary Bypass Looper”
While you are searching for the perfect sound, you will find uncountable possibilities.
But how does the perfect sound sound like? Continue reading “LoFi aka character sounds”
This is a demo of the Lunar Echo by DMB Pedals.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
As of now, under the heading “7 questions to …” I would like to introduce you to people who were and are of particular importance for the world of guitarists and whose work – in my opinion – seem to be interesting or impressing.
For the first interview I choose the father of the legendary Deluxe Memory Man: Howard Davis.
In my honest opinion, he is an icon of the world of effect pedals and I am quite proud that he took the time to answer to my questions. Continue reading “7 questions to Howard Davis”
The first part of this two-part series was about how to get closer to the sound you long for on the one hand and grant the right of abode to the pickups of your guitar on the other.
This part is dedicated to the possibilities, alterations of the pots and capacitors do present. Continue reading “Simple guitar mods – Part 2”
This is a comparison of the Neunaber Expanse with the Lexicon PCM 81 Reverb Hall Rack Effect.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, DIY Buffer, Cubase.
The first part of this two-part series is about how little adjustments of the pickups can cause an improvement of the sound.
The second part will focus on the pots. Continue reading “Simple guitar mods – Part 1”
Midi is a way to make instruments communicate with each other and has been developed in the 1980s.
Unfortunately, there is no midi standard yet, which sometimes causes a lot of problems. Continue reading “Midi- a musicians boon and bane”
This is a comparison of the Eventide H9 Harmonizer with the Lexicon PCM 81 Reverb Hall Rack Effect.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
Although the Lexicon PCM 81 was most famous in the 90s, it still sets the standards for good reverb sounds. Continue reading “Which effect should I get? The Lexicon PCM 81 or a reverb stompbox?”
Commonly, you arrange the pedals in a way that the guitar signal first passes the overdrive pedal and is then send to modulation effects like delays or reverb pedals.
But in my honest opinion, it is worth it to change this accustomed layout. Continue reading “An overdrive pedal after a delay”
This is a comparison of the Source Audio Ventris Dual Reverb with the Lexicon PCM 81 Reverb Hall Rack Effect.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
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