The majority of pedals run on 9V and many of them can be used with a 9V battery.
But insatiable digital effects suck out the batteries at top speed or it is impossible to run them on battery.
This is when the question arises, which power supply is the most suitable one. Continue reading “Tips & Tricks: The best power supply”
Source Audio Nemesis vs. Strymon DIG – Delay Comparsion
This is a comparison of the Source Audio Nemesis with the Strymon DIG.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Ibanez DE-7 – a delay for insiders
The Ibanez Tone-Lok series has been produced between 1999 and 2002 and the DE-7 was one of them. Continue reading “Ibanez DE-7 – a delay for insiders”
Tips & Tricks: Be brave – use the pots
Looking at the pedalboards of other guitarists, I frequently find the effect pedal pots at 12 o’clock position or even varying marginal from that standard position.
Although even overdrive pedals with only three knobs offer various options – if you are willing to use them. Continue reading “Tips & Tricks: Be brave – use the pots”
Source Audio Nemesis vs. Electro Harmonix Deluxe Memory Man
This is a comparison of the Source Audio Nemesis with the Electro Harmonix Deluxe Memory Man.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Effect pedal switching noise
Many effect pedal manufacturers offer pedals with true bypass.
This kind of pedals prevail a lot of advantages but also the disadvantage of the switching noise.
But where does this “plop” or “click” come from and how can it be eliminated? Continue reading “Effect pedal switching noise”
Is there a delay sounding like the Deluxe Memory Man? Part2
The Big Box Deluxe Memory Man is by far one of the best delays that have ever been invented.
But the size of the enclosure is tremendous.
But is there a delay that sounds like the Electro Harmonix Deluxe Memory Man? Continue reading “Is there a delay sounding like the Deluxe Memory Man? Part2”
Source Audio Nemesis vs. Fulltone Tube Tape Echo – Delay Comparsion
This is a comparison of the Source Audio Nemesis with the Fulltone Tube Tape Echo.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Obituary: Glenn Snoddy – the creator of the fuzz pedal
The first name, that comes to one’s mind when the “fuzz” is mentioned, is Jimi Hendrix.
But to me, the creator of this pedal’s wiring was not less important for the history of guitar music.
His name war Glenn Snoddy. Continue reading “Obituary: Glenn Snoddy – the creator of the fuzz pedal”
Things, mini pedal manufacturers should take into account
The times of dish-sized Fuzz Face pedals are over – the trend is towards even smaller mini effect pedals.
But with regard to this mini pedals there are some things, the manufacturers should consider. Continue reading “Things, mini pedal manufacturers should take into account”
Source Audio Nemesis vs. Chase Bliss Audio Tonal Recall RKM – Delay Comparsion
This is a comparison of the Source Audio Nemesis with the Chase Bliss Audio Tonal Recall RKM.
Pedalboards
To every guitarist, who use more than three effect pedals, it makes sense to think about how to transport and store the pedals in a rational way.
The need for a re-arrangement of the pedals before each gig or rehearsal is, on the one hand, pretty time consuming and, on the other hand, the permanent movement may cause a serious damage of cables or jacks.
But which pedalboard is the right one? Continue reading “Pedalboards”
100 watts amplifiers – still up to date?
In the beginning, tube amps had a maximum power of 30 watts.
Those days musicians mostly got no PA system and the sound of their guitars came from the amplifier directly. Continue reading “100 watts amplifiers – still up to date?”
Source Audio Nemesis vs. Strymon El Capistan – Delay Comparsion
This is a comparison of the Source Audio Nemesis with the Strymon El Capistan.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
„Always on“ pedals
On many pedalboards you can find pedals that stay on all the time and occasionally the question comes to your mind, if you might have chosen the wrong equipment to create the sound you actually long for. Continue reading “„Always on“ pedals”
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