History
The Colorsound Tone Bender has been invented in the legendary Denmark Street in London. Continue reading “Legendary overdrive pedals 3 – Tone Bender”
Die Nummer 1, wenn es um Reparaturen, Modifikationen und Custom-Effektpedale geht
HistoryThe Colorsound Tone Bender has been invented in the legendary Denmark Street in London. Continue reading “Legendary overdrive pedals 3 – Tone Bender”
The Electro Harmonix Big Muff is one of the most legendary overdrive pedals ever invented.
I guess, almost every guitarist used this pedal at least once in his career.
The most famous are David Gilmour, Billy Corgan, Jack White, J. Mascis and John Frusciante. Continue reading “Legendary overdrive pedals (2) – Big Muff”
This is a blind comparison of the Electro Harmonix Deluxe Memory Man with the Fulltone Tube Tape Echo.
Following the promise of the manufacturer the Deluxe Memory Man provides a maximum delay time of 550 ms.
But in spite of all promises made by advertisement the truth mostly is a different one. Continue reading “EHX Deluxe Memory Man – Time increase modification”
The majority of pedals run on 9V and many of them can be used with a 9V battery.
But insatiable digital effects suck out the batteries at top speed or it is impossible to run them on battery.
This is when the question arises, which power supply is the most suitable one. Continue reading “Tips & Tricks: The best power supply”
This is a comparison of the Source Audio Nemesis with the Strymon DIG.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
The Ibanez Tone-Lok series has been produced between 1999 and 2002 and the DE-7 was one of them. Continue reading “Ibanez DE-7 – a delay for insiders”
Looking at the pedalboards of other guitarists, I frequently find the effect pedal pots at 12 o’clock position or even varying marginal from that standard position.
Although even overdrive pedals with only three knobs offer various options – if you are willing to use them. Continue reading “Tips & Tricks: Be brave – use the pots”
This is a comparison of the Source Audio Nemesis with the Electro Harmonix Deluxe Memory Man.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Many effect pedal manufacturers offer pedals with true bypass.
This kind of pedals prevail a lot of advantages but also the disadvantage of the switching noise.
But where does this “plop” or “click” come from and how can it be eliminated? Continue reading “Effect pedal switching noise”
The Big Box Deluxe Memory Man is by far one of the best delays that have ever been invented.
But the size of the enclosure is tremendous.
But is there a delay that sounds like the Electro Harmonix Deluxe Memory Man? Continue reading “Is there a delay sounding like the Deluxe Memory Man? Part2”
This is a comparison of the Source Audio Nemesis with the Fulltone Tube Tape Echo.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
The first name, that comes to one’s mind when the “fuzz” is mentioned, is Jimi Hendrix.
But to me, the creator of this pedal’s wiring was not less important for the history of guitar music.
His name war Glenn Snoddy. Continue reading “Obituary: Glenn Snoddy – the creator of the fuzz pedal”
The times of dish-sized Fuzz Face pedals are over – the trend is towards even smaller mini effect pedals.
But with regard to this mini pedals there are some things, the manufacturers should consider. Continue reading “Things, mini pedal manufacturers should take into account”
This is a comparison of the Source Audio Nemesis with the Chase Bliss Audio Tonal Recall RKM.
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