This is a comparison of the Way Huge Supa-Puss with the MXR Carbon Copy Deluxe. Find out more about the sound of these analog delay pedals. You will get to know different settings, slow modulation, with vibrato and how they both might sound in the mix.
0:09 default setting/bright setting Continue reading “Way Huge Supa-Puss vs. MXR Carbon Copy Deluxe”
Because of the numerous requests regarding my favorite bugdet delays, I tried to figure out my top delays within the categories tape emulation, digital delay and analog delay.
The order of the delays within the respective group or video is not a ranking, for I am unable to tell which of them I like best.
0:04 NUX Tape Core Deluxe Continue reading “My favorite budget delays”
This is a stereo comparison of the Empress Echosystem with the Source Audio Nemesis. Take a ride from digital, noise tape to reverse and Echoplex.
Please, use your headphones!
0:11 digital mode Continue reading “Empress Echosystem vs. Source Audio Nemesis”
This is a comparison of the legendary Fulltone Tube Tape Echo with the amazing Empress Echosystem.
0:11 bright setting /tape mode
0:45 dark setting / old tape
1:21 bright setting / Echoplex
2:09 in the mix / multi mode
gear: Fender Stratocaster,Evidence Audio SIS Cables, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Way Huge Supa-Puss with the Chase Bliss Audio Tonal Recall rkm. Find out more about the sound of these wunderful analog delay pedals. You will get to know different settings, slow and fast modulation and how they both might sound in the mix.
0:08 Supa-Puss tone at noon, Tonal Recall rkm brightest setting Continue reading “Way Huge Supa-Puss vs. Chase Bliss Audio Tonal Recall rkm”
This is a comparison of the Eventide ROSE with the Ibanez DE7.
Both of these digital delays are using an analog filter.
Check out some of their sonic possibilities at different setting, for slapback delays and in the mix.
0:11 digital delay through analog filter/ echo mode Continue reading “Eventide ROSE vs. Ibanez DE7”
This is a stereo comparison of the brilliant Crazy Tube Circuits Echotopia with the amazing Empress Echosystem.Find out more about different settings and how both of them may sound in the mix.
Please, use your headphones!
0:11 bright setting /tape mode Continue reading “Crazy Tube Circuits Echotopia vs. Empress Echosystem”
This is a comparison of the Strymon Volante with the Source Audio Nemesis.
Find out more about delay types like tape, noise tape/tape half speed, rhythmic/drum and how both of these great delays sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the Source Audio Nemesis with the CCrazy Tube Circuits Echotopia.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a comparison of the Wampler Faux Tape Echo with the Crazy Tube Circuits Echotopia.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a stereo comparison of the Crazy Tube Circuits Echotopia with the Eventide H9 Harmonizer.
Please use your headphones!
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a comparison of the Crazy Tube Circuits Echotopia with the Fulltone Tube Tape Echo.
For a better comparability, I maxed the mood pot of the Crazy Tube Circuits Echotopia because the Fulltone Tube Tape Echo provides a very bright sound.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase, AB bypass switch.
This is a stereo comparison of the Strymon Volante with the Crazy Tube Circuits Echotopia.
Find out more about marvellous sound options of these two vintage style tape echo emulation pedals.
Please use your headphones!
This is a comparison of the Walrus Audio ARP-87 with the Source Audio Nemesis.
In this video you will find out more about the sound of the digital and the analog mode, of these two digital delay pedals. Besides, I also present the digital mode with modulation how both pedals may sound in the mix.
I love to watch YouTube videos about pedals, guitars and amps.
The boundless vastness of the Internet offers to some extend magnificent, inspiring and enlightening content created by great people. Continue reading “Videos on YouTube – Why my videos are how they are”
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