This is a Comparison of the Boss DD-7 with the Strymon DIG.
In this video I only used the digital mode of the Boss DD-7, because the Strymon DIG does not offer an analog delay mode.
At the end of the video I demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a comparison of the Walrus Audio ARP-87 with the Source Audio Nemesis.
In this video you will find out more about the sound of the digital and the analog mode, of these two digital delay pedals. Besides, I also present the digital mode with modulation how both pedals may sound in the mix.
This is a Comparison of the Boss DD-7 with the Walrus Audio ARP-87.
Besides the digital mode, I also present the analog emulation, modulation and how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a Comparison of the Boss DD-7 with the MXR Carbon Copy Deluxe.
In this video I only used the analog mode of the Boss DD-7. At the end of the video I demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
If you are searching for a reasonably priced digital delay pedal, there is no way around the Boss DD-7 and the TC Electronic Flashback. But what features do these two pedals provide and which is appropriate for which propose? Continue reading “Which pedal should I get? Boss DD-7 vs. TC Electronic Flashback”
This is a Comparison of the Boss DD-7 with the DOD Rubberneck. For this comparison I only used the analog mode of the Boss DD-7. At the end of the video I also demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio,Cubase.
I love to watch YouTube videos about pedals, guitars and amps.
The boundless vastness of the Internet offers to some extend magnificent, inspiring and enlightening content created by great people. Continue reading “Videos on YouTube – Why my videos are how they are”
This is a Comparison of the Boss DD-7 with the Electro Harmonix Deluxe Memory Man. At the end of the video I also demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a Comparison of the Boss DD-7 with the TC Electronic Flashback.
Besides the digital mode, I also present the analog emulation, modulation and the reverse mode of these two bugdet delay pedals. At the end of the video I also demonstrate how either of them will sound in the mix.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, DigiTech Trio, Cubase.
This is a Comparison of the MXR Carbon Copy Deluxe with MXR Carbon Copy.
For a better comparability I only used the dark mode of the Carbon Copy Deluxe.
This is a comparison of the Neunaber Expanse with the Source Audio Ventris.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a Comparison of the MXR Carbon Copy Deluxe with the Maxon AD-900 Analog Delay.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
This is a comparison of the DMB Pedals Lunar Echo with the Maxon AD-900 Analog Delay.
The Lunar sounds warmer and percussive while the sound of the Maxon AD 900 is clearer and darker.
This is a comparison of the Retro-Sonic Analog Delay with the Maxon AD-900 Analog Delay.
The Retro-Sonic Analog Delay sounds grittier while the sound of the Maxon AD 900 is clearer and darker.
gear: Fender Telecaster, Fender Champ, Celestion G12M Greenback, Shure SM57, Cubase.
This is a comparison of the DOD Rubberneck with the Ibanez DE-7.
The DOD Rubberneck has got much midrange and provides the rough sound of a marvelous vintage delay. By using the tone pot you can set beautiful dark delays. The Rubberneck is perfect to create ambient sound and soundscapes. The gain pot enables you to produce grittier delays.
All pots are quite interactive and offer numerous setting options.
The special thing about the echo mode of the DE-7 is, that the digital created signal must pass an analog circuit with a JRC 4580, clipping diodes and analog filters. You can easily produce beautiful rhythmical delays. A switch allows to chose between three different delay “ranges” which can be fine-tuned by the delay time pot.
Echo and delay can be selected by the mode switch.
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