Today, almost every musician records his/her music at home. Mostly via a soundcard directly into a DAW.
There, you will find numerous VST effects to create a sophisticated sound.
But many effect pedals as well are also suitable for recording. Continue reading “Effect pedals for recording”
Category: Brands
Malekko Ekko 616/ Ekko 616 MKII
The Malekko Ekko 616 as well as its improved version, the Ekko 616 MKII is a pedalboard-friendly analog delay. Continue reading “Malekko Ekko 616/ Ekko 616 MKII”
Neunaber Expanse as a delay
In this video, I used the Neunaber Expanse as a delay.
Most people use it as a reverb effect, but through the Neunaber App you can also download several delay algorithms. The additional EXP Controller allows to choose between up to four different presets.
For it is stereo, please use your headphones!
0:08 echelon scatter Continue reading “Neunaber Expanse as a delay”
Korg SDD-3000 Pedal
A long time ago, there was the Korg SDD-3000 rack delay with its legendary sound.
Some years ago, the also less pedalboard-friendly version of this classic has been put on the market. Continue reading “Korg SDD-3000 Pedal”
Korg Kaosspad3 loops and the Elektron Digitakt midi sync
This is a video about how to use the Elektron Digitakt to midi sync start and stop loops of the Korg Kaoss Pad3 (KP3).
Gear:Elektron Digitakt, Korg Kaosspad3, Digitech SDRUM, DelayDude Midi Sync Cable
I show step by step how to record several loops on the Kaoss Pad3. The Digitakt starts the first loop of the KP3 via midi note #36, the second via midi note #37 and the third loop via midi note #38. Continue reading “Korg Kaosspad3 loops and the Elektron Digitakt midi sync”
Lunchbox Tube Amps Part III
In the first part of this series, I presented some budget tube combos. In the second part, I started a small overview of several heads. And finally, I would like to end up this series with some last recommendations. Continue reading “Lunchbox Tube Amps Part III”
Lovepedal Hermida EPH-3
The Lovepedal Hermida EPH-3 is a pedalboard-friendly digital delay.
Inicially, the tape echo emulation has been produced by Hermida. Some time ago, Lovepedal aquired Hermida. Continue reading “Lovepedal Hermida EPH-3”
Source Audio Nemesis vs. Erica Synths Zen Delay
This is a comparison of the Source Audio Nemesis with the Erica Synths Zen Delay.
For these two are digital stereo delays, please use your headphones.
Both delays do not have true bypass, I used a true bypass looper (Lehle Parallel) for the audio recording.
0:08 digital mode (Zen Delay)
digital mode (Nemesis) Continue reading “Source Audio Nemesis vs. Erica Synths Zen Delay”
7 questions to Yoshi Ikegami (Boss)
I guess, there is no guitarist/ bass player in the world, who doesn’t own at least one BOSS pedal. And the effects that are produced under the leadership of the company’s president, Yoshi Ikegami, accompany me since my first days as a guitarist.
Therefore, it is a special honor for me that he took the time to answer to the 7 questions of the Delay Dude. Continue reading “7 questions to Yoshi Ikegami (Boss)”
Maxon/ Ibanez AD 999
Similar to the other Maxon AD-pedals, the AD 999 as well is a less pedalboard-friendly analog delay.
The MC4107D bucket brigade ICs make the AD 999 sound a bit dirtier, less defined and a bit rougher than the AD 900. Continue reading “Maxon/ Ibanez AD 999”
Erica Synths Zen Delay vs. DOD Rubberneck
This is a comparison of the DOD Rubberneck with the Erica Synths Zen Delay
For both delays do not have true bypass, I used a true bypass looper (Lehle Parallel) for the audio recording.
The Zen Delay does not provide an analog mode. Via the filter settings, I formed an analog-like sound in the digital delay mode. And the Rubberneck is, what it is: a great dark and gritty analog delay.
0:09 band pass filter (Zen Delay)
tone at noon (Rubberneck) Continue reading “Erica Synths Zen Delay vs. DOD Rubberneck”
Ibanez DL 10
The Ibanez DL 10 is a pedalboard-friendly digital delay/reverb from the 80s.
Accordingly, the sound of the up to 400ms maximum delay time reminds definitively of this period. Continue reading “Ibanez DL 10”
Fulltone Tube Tape Echo vs. Erica Synths Zen Delay
This is a comparison of the Fulltone Tube Tape Echo with the Erica Synths Zen Delay
For both delays do not have true bypass, I used a true bypass looper (Lehle Parallel) for the audio recording.
I would like to present some sonic options by using different modes and filters of the Erica Synths Zen Delay and varying speeds and a higher record level for tape saturation of the Fulltone Tube Tape Echo.
0:09 tape mode / band pass filter (Zen Delay)
low speed (Tube Tape Echo) Continue reading “Fulltone Tube Tape Echo vs. Erica Synths Zen Delay”
7 questions to Dave Fruehling (Strymon)
I love Strymon effects and the Strymon Volante is one of my favorite delay pedals.
Therefore, I am proud to present this interview with Dave Fruehling, Co-Founder of Strymon. Continue reading “7 questions to Dave Fruehling (Strymon)”
Ibanez DDL Series
All three versions of the Ibanez DDL Series are pedalboard-friendly digital delays.
Some guitarists swear by the DDL which have been produced only for about one year (1985). Continue reading “Ibanez DDL Series”
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