There are some pedals that have been put on the market a long time ago and that, because of their sound are known as the legendary ones.
But sometimes the circuit has been changed over time. Continue reading “Pedals: same design – different circuit”
Category: Brands
Multi Effect Pedals
In the 1980s many guitarists were pretty excited about the ostensible possibilities of the first multi effect pedals.
But soon they recognized that the quality of the sound of those multi effects did not convince at all.
Although this aspect has changed through the last years, the combination of two effects in one enclosure is much more popular today. Continue reading “Multi Effect Pedals”
Moog Moogerfooger MF-104M Analog Delay vs. Moog Minifooger MF Delay
This is a comparison of the Moog Moogerfooger MF-104M Analog Delay with its litte brother, the Moog Minifooger MF Delay.
While the MF-104M offers the possibility to choose between a “dark” and a “bright” setting, the sound of the Minifooger MF Delay is comparable to the “dark” sound of the MF-104M Continue reading “Moog Moogerfooger MF-104M Analog Delay vs. Moog Minifooger MF Delay”
Tips & Tricks: Digitech SDRUM in sync with the TC Electronic DittoX4 Part 1
Because of many inquiries I would like to explain how to synchronize the DigiTech SDRUM with a TC Electronic Ditto X4. Continue reading “Tips & Tricks: Digitech SDRUM in sync with the TC Electronic DittoX4 Part 1”
DOD Rubberneck Dark Repeats and Oscillation – Analog Delay
On request of YouTube subscribers I made this demo about how to create dark repeats and dark oscillation with the DOD Rubberneck:
gear: Fender Jaguar, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Click here for a comparison of the DOD Rubberneck with the Chase Bliss Audio Tonal Recall RKM and here for a comparison with the EHX Deluxe Memory Man.
Tips & Tricks: Tape echo maintenance
A real tape echo provides an extraordinary sound and is a worthwhile investment for your guitar sound. Unfortunately the maintenance of a tape echo is not as simple as the care of a digital or analog delay pedal. Continue reading “Tips & Tricks: Tape echo maintenance”
Chase Bliss Audio Tonal Recall RKM – Dark Repeats & Oscillation
This video shows how to create dark repeats and bright oscillation with the Chase Bliss Audio Tonal Recall RKM.
gear: Fender Jaguar, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Click here for all videos of the Tonal Recall RKM.
Tips & Tricks: Germanium Fuzz as a Booster/Overdrive
The germanium fuzz was one of the first overdrive pedals that have been available in the first days of history of electric guitars. Those days this effect offered totally new kinds guitar sound.
Continue reading “Tips & Tricks: Germanium Fuzz as a Booster/Overdrive”
Fulltone Tube Tape Echo TTE vs. T-Rex Replica – Tape Delay Comparison
This is a comparison of the legendary Fulltone Tape Echo with the T-Rex Replica.
Click here for other TTE videos.
gear: Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Tips & Tricks: DIY Mini Tap Tempo Controller
I guess almost anyone who uses one or more pedals with tap tempo on his pedalboard have thought about a device that is able to tap several pedals at the same time. Continue reading “Tips & Tricks: DIY Mini Tap Tempo Controller”
TC Electronic Hall Of Fame vs. Strymon Big Sky – Reverb Comparison
This is a reverb pedal comparison: TC Electronic Hall Of Fame vs. Strymon Big Sky.
gear: Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Tape Echo Emulations: Hughes & Kettner Replex or T-Rex Replica
Because of their very special sound which is less sterile or dull (in comparison to digital or analog delays), tape echo emulation pedals are almost among the most popular delay effects. Continue reading “Tape Echo Emulations: Hughes & Kettner Replex or T-Rex Replica”
Moog Moogerfooger MF-104M vs. DOD Rubberneck – Analog Delay Comparison
This is a comparison of the Moog Moogerfooger MF-104M with the DOD Rubberneck:
gear: Fender Jazzmaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Tips & Tricks: Power for pedals – 9V or more?
To almost all producers of guitar effect pedals 9V still is the one and only standard. But who has set this norm? And is 9V really the best option for effect pedals? Continue reading “Tips & Tricks: Power for pedals – 9V or more?”
Neunaber Expanse vs. Strymon Big Sky – Reverb Comparison
This is a comparison of the Neunaber Expanse Reverb with the Strymon Big Sky Reverb:
gear: Different than usual I use a Epiphone Riviera (with P94 Pickups), Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
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