This is a demo of the BOSS DD-200 (http://www.bossus.com/).
The BOSS DD-200 is a standalone pedal which is really compact, provides many features and can be extended extremely by connecting additional switches and midi.
0:10 standard Continue reading “BOSS DD-200”
A reader’s question to the Dude:“I am looking for a percussive delay with trails option, for I really like dotted delays of U2 and likewise. Should be analog.
Supa Puss, Memory Man or the Chase Bliss Tonal Recall? Or something completely different?” Continue reading “Which delay for the dottet delays of U2?”
This is a comparison of the Boss DD-7 with the Boss DD-8.
They look like twins, but what about the sound?
Find out more about the sonic similarities and differences in varying modes, different delay times and regarding modulation and reverse.
0:10 analog mode Continue reading “Boss DD-7 vs. DD-8”
Die Auswahl an guten Delays ist riesig und für jeden Geldbeutel ist etwas passendes dabei. Auch im Budget Bereich findet man viele gute Delays, sowohl analoge, Tape Emulationen und digital Delays.
In dieser dreiteiligen Serie möchte ich aus allen drei Bereichen einige Vertreter vorstellen, die es derzeit für sehr schmales Geld auf dem Markt gibt. Continue reading “Budget Delays Teil II”
Yoshi Ikegami was involved in the development of the most iconic delay units in history.
Recently, there was a great live stream on Facebook about Boss delays, where Yoshi Ikegami answered many questions about Boss delay pedals. Continue reading “Boss live stream theme „Boss Delay“ with Yoshi Ikegami and Matt Knight”
Once upon a time – before Corona – the Summer NAMM 2020 was supposed to take place these days. But although the fair has been cancelled, there are some interesting news for all delay freaks. Continue reading “Exciting news for all delay freaks:”
There is an enormous number of nice delay pedals and there is one within everyone’s price range.
Regarding the budget area, you will also find a lot of good delay pedals, analog ones as well as tape emulations and digital delays.
In this three-part series, I would like to present some delays of all three sections that are available for ridiculous prices. Continue reading “Budget Delays Part I”
Chase Bliss Audio has created several exciting effect pedals. Besides the recently celebrated Blooper, well-known stompboxes like the Tonal Recall, the Warped Vinyl, the Brothers, the Spectre and others are still pretty famous.
In an ideal way, they are midi compatible. A feature, that becomes more and more important for many guitarists. Continue reading “DelayDude Midi to Chase Bliss Audio cable – NOW in the DelayDude Shop”
While the first part of this review was dedicated to the outer and inner values of the Nux Tape Core Deluxe, you will now learn all about the editor of this pedal. Continue reading “Review: Nux Tape Core Deluxe – Part II”
The successor of the legendary Moog Moogerfooger MF-104 is a likewise rather pedalboard-friendly analog delay. Continue reading “Moog Moogerfooger MF-104M”
This is a comparison of the Strymon Volante with the Akai Headrush.
By activating different tone heads, I created varying rhythms.
A sonic coulouring of each of these rhythms is added by different settings.
0:12 tape echo (Headrush)/ tape mode (Volante) – tone head 4 activated Continue reading “Strymon Volante vs. Akai Headrush”
The Nux Tape Core Deluxe is not even new, but nevertheless, it might worth it to mind this pedal if you are looking for a new tap echo. It is really robust; its editor makes it very versatile and the price of 69€ is unbeatable. Continue reading “Review: Nux Tape Core Deluxe – Part I”
Like its predecessor, the Moog Moogerfooger MF-104 SD a definitively not pedalboard-friendly analog delay.
In contrast to the MF-104 it offers an extended maximum delay time of 1.4ms. Continue reading “Moog Moogerfooger MF-104 SD”
This is a demo about the Akai Headrush.
Probably the only pedal that provides one separate output for each virtual tape head.
Although it almost seems like a silver-ager, it has extraordinary functions like the tape head spacing to create rhythmical delays.
0:09 tape echo Continue reading “Akai Headrush”
Regarding Wah-wah pedals, sooner or later, you will always find his name: in this issue the founder of REAL McCOY CUSTOM Wah-wah, Geoffrey Teese, is answering to the 7 questions of the DelayDude. Continue reading “7 questions to Geoffrey Teese (REAL McCOY CUSTOM Wah-wah)”
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