The Boss DD-500 is one of the few Boss pedals which are, because of their size, less pedalboard friendly. Continue reading “Boss DD-500 Digital Delay”
Source Audio Ventris vs. Neunaber Expanse – Reverb Comparison
This is a comparison of the Neunaber Expanse with the Source Audio Ventris.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Effect pedals interacting with the whole setup
One loves the Tubescreamer, the other hates it. It is impossible to keep everyone happy. While to one guitarist the overdrive pedal sounds perfect, stresses the mids in an optimal way and creates the ultimate range of distortion, the same pedal seems hollow with the bass cut quite too much to another guitar player. Continue reading “Effect pedals interacting with the whole setup”
Catalinbread Adineko
The Catalinbread Adineko is a pedalboard friendly digital delay. The 9V pedal dispenses with tap tempo, stereo in- and outputs, a looper as well as an input for an expression pedal or midi. Continue reading “Catalinbread Adineko”
MXR Carbon Copy Deluxe vs. Maxon AD-900 Analog Delay – Analog Delay Comparison
This is a Comparison of the MXR Carbon Copy Deluxe with the Maxon AD-900 Analog Delay.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
Binson Echorec
Concerning the categorization of delay pedals, guitarists mostly refer to analog delays, tape delays and digital delay pedals. But one true classic is often overlooked because it is pretty rare and only available in used condition: the Binson Echorec. Continue reading “Binson Echorec”
+++ NAMM 2019 News Part 4+++
The rumor mill is churning….
Here I would like to present the last part of a collection of some interesting NAMM Show news. Continue reading “+++ NAMM 2019 News Part 4+++”
+++ NAMM 2019 News Part 3+++
The rumor mill is churning….
Here I would like to present a collection of some interesting NAMM Show news. Continue reading “+++ NAMM 2019 News Part 3+++”
Gamechanger Audio Plus Pedal vs. Electro Harmonix Superego
This is a comparison of the Gamechanger Audio Plus Pedal with the Electro Harmonix Superego.
In the first part you will hear the wet signal only.
The last part offers sounds ot the respective special modes of both pedals (layers mode of the Plus Pedal/ Gliss effect of the Superego).
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
+++ NAMM 2019 News Part 2+++
Before the NAMM 2019 opens the doors for guitar geeks from all over the world, the first information about new pedals, amps and instruments are announced. Here I would like to present the second selection of interesting news: Continue reading “+++ NAMM 2019 News Part 2+++”
+++ NAMM 2019 News Part 1 +++
Before the NAMM 2019 opens the doors for guitar geeks from all over the world, the first information about new pedals, amps and instruments are announced. Here I would like to present a small selection of interesting news: Continue reading “+++ NAMM 2019 News Part 1 +++”
Big Pedalboard – All pedals midi sync
This is a video about how to use a huge pedalboard with all pedals midi sync. Besides the standard TRS cable I am using my self-designed DelayDude Midi Sync Cable. Check it out here.
The three controller pedals to control the DigiTech SDRUM, the Source Audio Nemesis and the DigiTech JamMan are also available in the DelayDude shop.
gear: Fender Jazzmaster with P90, Strymon Big Sky cab simulation direct into the soundcard rack preamp of the recording PC, Cubase.
Downsizing Part 2
Large pedalboards with uncountable pedals on them might weaken the signal or at least change the sound in a certain way. In this case, it is secondary whether you use true bypass pedals or buffered ones. Even the length of the cables on your pedalboard will influence the sound. Continue reading “Downsizing Part 2”
Boss DM-1 Analog Delay
The Boss DM-1 analog delay is one of the rather pedalboard-unfriendly Boss pedals.
The maximum delay time is about 600ms. Continue reading “Boss DM-1 Analog Delay”
Fender Silverface Deluxe Reverb – Speaker Comparison (Jensen C12N vs. Vintage Oxford)
This is a comparison of two different 12″ speakers which have been (one by one) built into the same Fender Silverface Deluxe Reverb amp.
The first one is a Jensen C12 N Ceramic (current model).
The second one is a Vintage Oxford speaker.
Because I am the DelayDude, I do (self-evident) use a delay for this comparison.
Jazzmaster mit P90, Strymon DIG, Silverface Deluxe Reverb, Fame SC1100 Condenser Microphone, TS202 preamp, EMU 1820M, Cubase.
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