This is a demo of the Boss DD-8 .The Boss DD-8 is the most recent compact Boss delay and the direct successor of the DD-7. It provides a looper and 11 delay modes.
0:10 Standard Continue reading “Boss DD-8”
This is a demo of the Boss DD-8 .The Boss DD-8 is the most recent compact Boss delay and the direct successor of the DD-7. It provides a looper and 11 delay modes.
0:10 Standard Continue reading “Boss DD-8”
This is a comparison of the Boss DD-7 with the Boss DD-8.
They look like twins, but what about the sound?
Find out more about the sonic similarities and differences in varying modes, different delay times and regarding modulation and reverse.
0:10 analog mode Continue reading “Boss DD-7 vs. DD-8”
There is an enormous number of nice delay pedals and there is one within everyone’s price range.
Regarding the budget area, you will also find a lot of good delay pedals, analog ones as well as tape emulations and digital delays.
In this three-part series, I would like to present some delays of all three sections that are available for ridiculous prices. Continue reading “Budget Delays Part III”
Die Auswahl an guten Delays ist riesig und für jeden Geldbeutel ist etwas passendes dabei. Auch im Budget Bereich findet man viele gute Delays, sowohl analoge, Tape Emulationen und digital Delays.
In dieser dreiteiligen Serie möchte ich aus allen drei Bereichen einige Vertreter vorstellen, die es derzeit für sehr schmales Geld auf dem Markt gibt. Continue reading “Budget Delays Teil II”
Once upon a time – before Corona – the Summer NAMM 2020 was supposed to take place these days. But although the fair has been cancelled, there are some interesting news for all delay freaks. Continue reading “Exciting news for all delay freaks:”
This is a comparison of the Source Audio Nemesis with the Line6 DL4.
The Line6 DL4 has been launched decades ago, but still doesn’t have to be shy about a comparison with the Source Audio Nemesis.
In this demo I compare different modes of these two workhorses.
0:09 DL4: tube tape / Nemesis: noise tape with slight modulation Continue reading “Source Audio Nemesis vs. Line6 DL4”
There is an enormous number of nice delay pedals and there is one within everyone’s price range.
Regarding the budget area, you will also find a lot of good delay pedals, analog ones as well as tape emulations and digital delays.
In this three-part series, I would like to present some delays of all three sections that are available for ridiculous prices. Continue reading “Budget Delays Part I”
This is a comparison of the Empress Echosystem with the Hughes & Kettner Replex.
In this demo I compare different settings of drive and vintage factor of the Hughes & Kettner Replex with varying tape modes of the Empress Echosystem.
0:12 Replex:single head, vintage factor fccw/ Echosystem: new tape Continue reading “Empress Echosystem vs. Hughes & Kettner Replex”
This is a comparison of the Strymon Volante with the Akai Headrush.
By activating different tone heads, I created varying rhythms.
A sonic coulouring of each of these rhythms is added by different settings.
0:12 tape echo (Headrush)/ tape mode (Volante) – tone head 4 activated Continue reading “Strymon Volante vs. Akai Headrush”
Regarding Wah-wah pedals, sooner or later, you will always find his name: in this issue the founder of REAL McCOY CUSTOM Wah-wah, Geoffrey Teese, is answering to the 7 questions of the DelayDude. Continue reading “7 questions to Geoffrey Teese (REAL McCOY CUSTOM Wah-wah)”
This is a comparison of the Source Audio Nemesis with the Erica Synths Zen Delay.
For these two are digital stereo delays, please use your headphones.
Both delays do not have true bypass, I used a true bypass looper (Lehle Parallel) for the audio recording.
0:08 digital mode (Zen Delay)
digital mode (Nemesis) Continue reading “Source Audio Nemesis vs. Erica Synths Zen Delay”
Similar to the other Maxon AD-pedals, the AD 999 as well is a less pedalboard-friendly analog delay.
The MC4107D bucket brigade ICs make the AD 999 sound a bit dirtier, less defined and a bit rougher than the AD 900. Continue reading “Maxon/ Ibanez AD 999”
This is a comparison of the DOD Rubberneck with the Erica Synths Zen Delay
For both delays do not have true bypass, I used a true bypass looper (Lehle Parallel) for the audio recording.
The Zen Delay does not provide an analog mode. Via the filter settings, I formed an analog-like sound in the digital delay mode. And the Rubberneck is, what it is: a great dark and gritty analog delay.
0:09 band pass filter (Zen Delay)
tone at noon (Rubberneck) Continue reading “Erica Synths Zen Delay vs. DOD Rubberneck”
This is a comparison of the Fulltone Tube Tape Echo with the Erica Synths Zen Delay
For both delays do not have true bypass, I used a true bypass looper (Lehle Parallel) for the audio recording.
I would like to present some sonic options by using different modes and filters of the Erica Synths Zen Delay and varying speeds and a higher record level for tape saturation of the Fulltone Tube Tape Echo.
0:09 tape mode / band pass filter (Zen Delay)
low speed (Tube Tape Echo) Continue reading “Fulltone Tube Tape Echo vs. Erica Synths Zen Delay”
This is a comparison of the AnalogMan ARDX20 with the Maxon AD-900.
These both analog delays create a rather dark sound. They are about the same size, but for the AnalogMan ARDX20 comes along with the Amazeo, it will need a bit more space on the pedalboard. Therefore, you will additionally get tap tempo and modulation.
Sonically both delay pedals are based on the Ibanez AD-9.
For the Maxon AD-9 does not provide modulation, I forego showing this feature of the AnalogMan ARDX20. Find out more about the sound of different delay times and how both pedals may sound in the mix.
0:07 about 600ms delay time (max. delay time of the AD-900)
1:02 shorter delay time Continue reading “AnalogMan ARDX20 vs. Maxon AD-900 – Analog delay comparison”
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