The Big Box Deluxe Memory Man is by far one of the best delays that have ever been invented.
But the size of the enclosure is tremendous.
But is there a delay that sounds like the Electro Harmonix Deluxe Memory Man? Continue reading “Is there a delay sounding like the Deluxe Memory Man? Part2”
This is a comparison of the Source Audio Nemesis with the Fulltone Tube Tape Echo.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
The times of dish-sized Fuzz Face pedals are over – the trend is towards even smaller mini effect pedals.
But with regard to this mini pedals there are some things, the manufacturers should consider. Continue reading “Things, mini pedal manufacturers should take into account”
This is a comparison of the Source Audio Nemesis with the Chase Bliss Audio Tonal Recall RKM.
In the beginning, tube amps had a maximum power of 30 watts.
Those days musicians mostly got no PA system and the sound of their guitars came from the amplifier directly. Continue reading “100 watts amplifiers – still up to date?”
This is a comparison of the Source Audio Nemesis with the Strymon El Capistan.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
On many pedalboards you can find pedals that stay on all the time and occasionally the question comes to your mind, if you might have chosen the wrong equipment to create the sound you actually long for. Continue reading “„Always on“ pedals”
Because of numerous requests, I would like to illuminate some aspects concerning the synchronization of the SDRUM and the DITTO X4. Continue reading “Tips & Tricks: DigiTech SDRUM in sync with the TC Electronic DITTO X4 Part 2”
Today I would like to tell you something about the legendary Marshall JCM900 HiGain Dual Reverb amplifier that, in my opinion, is absolutely underrated. Continue reading “Marshall JCM900 HiGain Dual Reverb”
This is a comparison of the Neunaber Expanse with the TC Electronic Hall of Fame.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
For a long time, the question if a pedal has true bypass or not, was a decisive aspect concerning the decision to get it or not.
At the moment you can find many discussions about the question if a pedal has got analog dry thru and, if it lacks analog dry thru, if this fact influences the sound and the way you interact with your equipment. Continue reading “„Analog dry thru“ – the new “true bypass”?”
Besides spectacular delays every analog delay produces white noise.
Generally, one can say that the proportion of white noise increases in dependency of the delay time.
To some this unintended noise represent an important part of an analog character, others prefer digital delays to produce a signal that is more clear. Continue reading “Are there analog delays without white noise?”
This is a comparsion of Gamechanger Audio Plus Pedal vs. Electro Harmonix Freeze.
Both pedals are pretty suitable to create innovative and creative sounds.
gear: Fender Telecaster, Fender Tweed Champ, Celestion G12M, Shure SM57, Cubase.
The first part of this continuous series was dedicated to general sources of error concerning effect pedals. In this part I would like to focus on some details. Continue reading “Tips& Tricks: What’s wrong with my pedal – first aid instructions part 2”
Sooner or later almost every pedal breaks down.
Sometimes it starts with a loos connection or it suddenly gets impossible to switch them on.
In this continuous series I would like to present some useful hints that may help you to revive your pedal. Continue reading “Tips& Tricks: What’s wrong with my pedal – first aid instructions”
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